1. Because my partner Xiaogang is an inventor, in those flashy childhood clips, he made the ant killer magnifying glass, the match bulb launcher, the ink thruster, and the super chain revolver. Although after his hard work, the scope of this gun's killing is still limited to the barrel, but I can fully conclude that if someone is instructed, in time, his round head and flushing will appear on the Nobel podium. nose. Of course, here I have skipped some of his other unknown inventions that I am ashamed to talk about, such as the insect corpses for girls to scream, and the high-altitude water bag that the teacher will be angry with, and some kind of elaborate extraction from glass tiles. fiber. Years later, I discovered that the fiber invented by Xiaogang is far more powerful than the acacia powder in "New Crane Needle", which made Tony Leung happy, or the "Perfume" that made everyone ecstatic. Girly body fragrance. Even so, Jiang was still old and hot. Xiaogang's father far surpassed him in invention. This bald middle-aged man always wore the white vest with a big hole and walked around in the summer wind. . His face was blurred, but I will always remember the contented expression on his face when he took out the mysterious black box. Since then, a brand new world has slowly unfolded before my eyes. In addition to the small town and river, I finally got to see the sea, the beach, the snow-capped mountains, the plateau, the arrogance of Fa Ge in "Prisoner", the struggle between the scholar Leslie Cheung and the goblin Wang Zuxian, and the bloody fight of the gangsters. , The casino is throwing a lot of money, seeing the love, hate and hatred that I don't understand, and parting from life and death. Xiaogang and I opened our eyes wide and spent afternoons immersed in those distant and fascinating lives, heartbroken and excited. I don't care about the setting sun and the smoke from the kitchen, and I don't even care to look at the title of the movie and the cast and crew. We only have the first moving and the purest imagination, and this is enough to make our childhood full and fulfilling. At that time, we were obsessed with a martial arts film with no head and no tail, which was ripped by Xiaogang's father from a TV show. At that time, we didn't know about Jet Li, Li Jiaxin, New Wave and New Martial Arts. We just envied the male protagonist incomparably. We envy him for his martial arts skills, integrity and kindness. He is a man who stands above the ground. At the same time, we envy him for his liveliness and cuteness. We are so eager to be like him with chivalrous tenderness, a beauty on the left, a strict father and a lovely mother. Longing to be encouraged by his mother to pick up girls like he did, or to pose for romance while being chivalrous. Throughout the summer vacation, I often used a branch as an iron sword, sitting by the small river and fantasizing that after all the hardships and dangers, I finally embraced the beauty. , until his cheeks were flushed, and he didn't wake up until his thighs were scarred by mosquito bites in the haystack. Years later, I gradually forgot my childhood dreams and my original obsession. I began to know Tsui Hark, Yuan Heping, montages, panoramas, and began to dissect the rhythm, color, angle and rhythm of each shot like a surgeon. Performance, I also finally know the general box office that this film has, and his exact name: "Fang Shiyu II: Who and the Fight". Later, I found the film and watched it in its entirety several times. Then I discovered that many things have long since left us, and it is impossible to get them back. 2. The beauty of fighting Hong Kong martial arts movies have experienced Hu Jinquan's "literati martial arts", Zhang Che's "male violent martial arts", and Tsui Hark's "new martial arts" since the original "Burning the Red Lotus Temple". The world of martial arts embodies the unique romance and ideals of the Chinese. Therefore, martial arts movies not only affect the growth of a generation, but also seek innovation and change, and have become an important part of Chinese movies. It is generally believed that "The Swordsman" directed by Tsui Hark in 1990 marked the advent of the "new martial arts era". During this period, directors abandoned the completely realistic fighting style and rigid story mode of previous martial arts movies, and began to focus on martial arts. Many other elements are added to the film, such as special effects, stylized color rendering, strange and novel costumes and scene arrangements. The addition of these elements has greatly broadened the pattern of martial arts movies. Today, in many blockbusters in mainland China, you can see the shadow left by the "new martial arts movie" - some important figures, such as Yuan Heping, Ye Jintian, etc., can even be said to be from the "new martial arts movie". At the same time, most of the blockbusters are under the banner of ancient times or martial arts, which shows the huge influence and appeal of "new martial arts movies". The "Fang Shiyu" series is the work of Hong Kong director Yuan Kui in the "New Martial Arts Period". In this sequel, Yuan Kui added romantic and gorgeous movements such as light power to the realistic fights, and added modern and orthodox historical events to the more orthodox historical events. The language, nonsensical jokes and the romantic affairs of the teenager make the whole film smooth and compact, touching but methodical, revealing a kind of narrative beauty. And in the fight scenes that serve as the basis for the narrative, the film takes the beauty of martial arts to the extreme. In the whole film, except for Li Guobang's "desperate effort" (Li Guobang is played by director Yuan Kui), the other six scenes are all displayed by starring Jet Li. They have different styles, but they all become an important part of the narrative, from the splendor of the "Dragon Dance Party" at the beginning, the simplicity and toughness of the "Guide Plaque", to the "brocade box grabbing" The elegance and playfulness of "Duo", through the noisy and gang fights of "Warrior to recruit relatives", finally culminated in the heroic heroism of "Blood Battle in Honghua Lane" and the heroic tenacity of "Duel to Save Mother". All the scene styles and designs are related to the story. The development context of Fang Shiyu’s development is consistent. In the section of “Snatching the Brocade Box”, Fang Shiyu’s graceful flying with Hanako on his back and holding an umbrella in the air, as well as the shyness of his navel point, not only shaped Fang Shiyu’s character as a handsome boy, but also It lays the groundwork for the love between the two. In several scenes as a foreshadowing, the director added a lot of comedy elements, making the fight smooth and not bloody, but rather playful and cute. Lane" and "The Duel to Save Mother", there is no joke at all. There are only heroic and heroic righteous Bo Yuntian, as well as masculine sturdy and loyal and filial. In the only fight without Jet Li participating , Li Guobang, played by director Yuan Kui, wore traditional national costumes and completed a magnificent martial arts performance. This cowardly, timid, wise and prudent fat man, in order to fulfill his promise to protect Fang Shiyu, bravely resorted to his hidden martial arts for many years to fight the enemy to the death. At first, he had the upper hand, using a long wooden knife and the "Qiankun acupoint-pointing method" to beat the enemy up and down. But after being blinded by Lime, the situation turned sharply. He was first cut off by the enemy Yu Zhenhai, and finally To save my junior sister, I was killed by the enemy's sword. The whole paragraph is simple and unpretentious, and the shots are mainly medium and close-up shots. But in such simple lens language, a man who kept his promise, abandoned cowardice and fought bravely began to emerge. Our ideals are entrusted to us. We are as cautious as him in real life, but we are also eager to stand up at critical moments, do our best for justice and commitment, and die without regret. Because, "It's cool to be brave . The "Blood Battle at Honghua Lane" is a colorful passage of this film, and it can even become a representative passage of the "New Martial Arts Movie". The whole passage is rendered in warm colors, creating a desolate and sad atmosphere. First, a panoramic view, In the narrow alley, the red leaves on the trees swirl and fall in the autumn wind. Then, in the close-up shot close to the road, the footsteps are slowly moving forward, the bleak autumn wind swept the loess and fallen leaves, and the dust was flying, and the footsteps seemed firm and heavy This is Fang Shiyu's footsteps. He wants to cross this alley to save his mother who endured torment for him. But it is the brothers who have fought side by side with him who are blocking his progress. Between loyalty and filial piety, Fang Shiyu is difficult He made a choice. But his steps have proved his choice and determination. For the sake of brotherhood, he covered his eyes with a black cloth. Tension reached its highest point, then the music became poignant, showing the helplessness of the killing, and the occasional drum beats ensured the tension and intensity of the narrative. Fang Shiyu takes defense as his offense and takes every step as his camp, and the slow-motion often used when knocking down his brother reflects the hesitation and contradiction in his current mood. The shots are switched between front and back, medium shots and close-ups, but the most are front medium shots. On the left and right sides are the swords of the obstructers. Below the footsteps are the loess red leaves flying with the autumn wind. In the center of the picture is Fang Shiyu, who is blindfolded, marching forward with firm steps. He is a man who stands above the ground. He blindfolds his eyes to represent "righteousness", and he moves forward firmly for the word "loyalty and filial piety". Even in the desolate autumn wind, he does not change his face and walks freely. But the sword that blocked him shivered in front of righteousness. When Fang Shiyu walked to the end of the alley and tore off the black cloth, the blockers immediately dispersed like birds and beasts, and disappeared without a trace in an instant. In this passage, the music, setting, tone, rhythm and the martial arts plot complement each other, setting off the tragic atmosphere, and at the same time better portraying Fang Shiyu's growth into a brave, strong and upright man after experiencing hardships. The red leaves in this paragraph were used by Zhang Yimou in the film "Heroes". However, the red leaves in this paragraph are neither domineering nor bluffing, they are only used as decorations and backgrounds to set off the desolate autumn colors, and further exaggerate the heroic and desolate nature of the entire paragraph. In comparison, "Hero" is obviously much inferior. Not only the fighting scenes, but also the fit between the music and the narrative is a highlight of the film. Due to the need for a quick transition of the audience's mood, the film often uses music to guide the mood. As a result, the lively and brisk "Little Erlang" reverberated in the lanterns swaying in the wind on the street in the dark night, making the love and hatred of the young man seem extremely sad. And "Only Mother Is Good in the World" was also played with strings and drums, making a mother who was suspended in mid-air and tortured for her son appear strong and great. These beautiful fight sequences, the music and scenes that stick to the story, and a character that gradually plumps up in joy and violence, all let us reminisce. They are simple and sincere, not as thin and false as some blockbusters today, so they can remain in our memory and let us understand justice and evil, love and righteousness, responsibility and growth. 3. When a boy becomes a man, I love Li Jiaxin. This big-eyed beauty has become a supporting role with ambiguous character in the film, but she is still dedicated and simple to express her loyalty and love to Shiyu. I love Zheng Shaoqiu. This contradictory role obviously fits his situation in reality. Although there is some indecision and the government is too deep, a leader cannot be as proud as a hero. Mai is heroic. For the overall situation, he must know how to be calm and patient. I also love Xiao Fangfang, because "the most important thing in walking the rivers and lakes is the word 'yong'", everyone hopes to have such a mother, who can accompany you crazy, accompany you to make trouble, encourage and educate you how to pick up girls. Of course, she is as great as all mothers, desperate to protect her son, endure any torture and insult for him, and live strong. And hope that they are down-to-earth, brave, and a man who stands tall. I prefer Li Guobang, a timid and kind man who always puts "safety first" on his lips, but stands up and sacrifices his life to keep his promise, but as Xiao Fangfang said: "This is not impulse, it is bravery ." At the last moment of his life, he finally understood the meaning of integrity and bravery, and realized that the happiness obtained by giving generously is far greater than living without living. Therefore, at the last moment, he also sincerely faced his heart and calmly accepted the farce-like love between him and his junior sister. Of course, my favorite is Fang Shiyu. This man who is chivalrous, romantic, excellent, cute, dashing and shy is the dream of every boy. He is kind-hearted, punishes the strong and supports the weak, and fights heroically against the Fusang warriors who endanger the stability of the gang; he is young, vigorous, upright and brave, and he goes head-to-head with the gang traitor Yu Zhenhai; He is infatuated with two beauties; he is funny, but chivalrous and filial. On the one hand, he uses nonsensical modern language to make people laugh, but on the other hand, he is desperate to save his mother. The film narrates his growth, from his youthful vigour at the beginning to the humiliation he bears when he saves his mother. Until the end, when he slammed the enemy with his fists like a vent, and shouted "Ten Commandments of Gang Rules", he already understood that as a mature man, in addition to martial arts, integrity and chivalry, in addition to suave, romantic and affectionate, But also know how to be patient and steady, know responsibility and feelings. In addition to being able to confront the enemy tit-for-tat and make a woman's heart sprouted, she should also know how to take care of the overall situation, endure humiliation and bear the burden, and also know how to respect others and feelings. In this way, he is a complete man, a man who can protect his parents and make women depend on him. Years later, I ran into Xiaogang and his wife at the entrance of the movie theater in my hometown. At that time, the movie theater was gilded and garish because of the release of a new movie. Xiaogang is now a lieutenant-level officer of an artillery regiment. His wife cuddled softly on his straight suit. I laughed and asked him if he was chasing his wife with a kite. Xiaogang looked at me blankly and didn’t know what to say. After I reminded Xiaogang that he finally remembered that movie from many years ago, he smiled at me and shook his head. shake
View more about The Legend of Fong Sai-Yuk 2 reviews
