The producers admitted frankly that they filmed the film in the form of a documentary, which was an intervention in European politics. The actor is a real refugee, and even the little boy ends up applying for asylum in London is part of the reality.
During the filming, the U.S. bombing of Afghanistan continued, and the reporters were evacuated from Peshawar on the Pakistan-Afghanistan border. They thought that the local Muslims who often protested against the United States would be full of malice for the airborne Westerners, but in fact they They feel friendly in personal interactions; on the contrary, in Paris and even Turkey, their filming of refugees is constantly hindered...
They listen to the stories of smuggled refugees along the way, and integrate these real plot scenes and details at any time. In the film, and in the filming, I try to be as realistic as possible—even in the covert way of a home camcorder.
This is the information revealed in the DVD tidbits.
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