However, he has small tactics and small wit, but lacks a rock-solid will, and is intimidated and confused by the barriers and hills in the process. The expected truth was repeatedly verified, but he could no longer arouse his fighting spirit. He was distracted and faltered by the withdrawal of witnesses and the intimidation of opponents. I thought he was wise and skillful, but he turned out to be a silver wax gun head. The truth seems to be getting further and further away from us.
Suddenly I thought of Josh Hartnett's insatiable desire for Hilary Swank in "Black Dahlia", as well as Takeshi Kaneshiro in "Wounded City", Daniel Wu in "Disciple", and even "Tower of Babel" "The Japanese detective who listened to the lies of the deaf-mute girl showed sympathy on his face. He was not professional at all, and he was the master who put more personal feelings into a case. Detectives, police officers, and undercover agents, we thought they were just and tenacious, and Lang Lang was naturally jealous of evil, but unexpectedly, they were also generally frightened, fearful, selfish, and heartbroken. For no reason, my heart is calling for a professional detective who can always calmly withdraw himself from the case, and then there is only Conan. The image of the brain's skull is too deeply rooted in the hearts of the people. No matter how bitter the murderer is crying, he will be silent at most, but it will not affect his happiness at all, and it will not affect his momentum of driving straight into the pursuit of justice. Only in Conan, we can't see hesitation, withdrawal, or hesitation, his sense of justice cannot be weakened, his values do not need to be reset, and he does not need people to worry. This is the ideal detective!
Every hero is being brought down, and in a world where only children are black and white, Superman still exists. The heroic James Bond in 2006 suddenly gave birth to the idea of retreat. The heroism complex has become an extravagant hope of the spirit of the times. It is not known whether it is the progress or the retrogress of history. George Reeves doesn't love the superman character on the small screen at all, he's uninterested from the start, the production of the TV series in the film is hilarious, and he's bored looking at his posey self on TV. This guy who got his chance by eating soft rice never showed his shame but was deeply ashamed, which made him impatient to stand on his own while he was still young. What is he after leaving the backer? Not back to the original. Like Adrian's detective, he desperately wanted to become famous, or at least to put himself back on the right track in a safe and comfortable life - and he still couldn't. The narrative structure of the film gradually overlaps the world-weary emotions on the two of them. "Two flowers bloom, one for each" has the same emotional paragraph, and the open ending makes people realize. No matter who was the murderer, Reeves himself probably had enough.
Making a living is really that hard. The dissolution of heroism does not seem to have any metaphysical reason, but is determined by individual circumstances. Why are the recent films so helpless and pessimistic? Today, on the 50th anniversary of the founding of the European Union, anti-globalization people are marching in the streets of the looters and the looted, filled with anxiety and pessimism.
Stop talking about this topic. Xiaoben has a good position in the film, but he still thinks that the Venetian actor is suspected of being an Italian to please Americans; the lines are very cute, and everyone is a master at picking up a conversation, Xiaoben, Diane Lane and the female lawyer in PB, the latter In the film, I try to have a variety of styles, but I would rather see her suffering and hatred. Adrian is very attentive, but the role gives him too little space, and if he is more romantic or more cynical, I am afraid it will be better.
In any case, it's really disappointing that an unprofessional detective is more comfortable watching cartoons.
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