Huang Yiyu inherited the typical outlook on life of the oriental people. If death is fate, then the signs that appear will never be ignored. However, after a large bag of blood plasma and the human body were torn apart and destroyed by the barbecue, while pursuing to create a horror atmosphere in the movie (photos without a human figure, premonition), it was overly influenced by the ghosts and deities of consciousness. This is one of the fatal wounds of horror films, including the JIGSAW series, FINAL series, and CUBE series. It is found that after the director's careful arrangement, there will be an unintelligible feeling: Did FINAL give anything after the death of all targets? They are a chance to re-understand life. If the film only promotes the inevitable and fatalism of accidents, wouldn't everyone fall into the state of being controlled by cybernetics? I thought that the male and female characters who survived after FINAL 2 were still mercilessly killed in 3, so the so-called new life seems like an unnecessary lecture scene. The JIGSAW series that advocated give anther chance was declared bankrupt in the old guy's last sentence "you didn't". The savior who just talked about giving people's lives turned out to be a wolf in sheep's clothing in the end. After he didn't save anything, he even used his imagination to the extreme. The rich method killed a large number of people, and did not forget to bring a victim before dying.
FINAL is somewhat similar to BUTTERFLY EFFECT, but the ending abruptly wipes out the latter's biggest shining point, grabbing hope and smugly trying to shock it like Pandora.
It is understandable that the bloody scenes are not stingy, but the richness of color is not stingy. The ins and outs of the perverted characters are well-received, and the causes and consequences of the death events make use of all the physical knowledge we have learned (small parts, every movement of the haunted waters makes people feel It feels like the miracle of the creator of nature), there are always amazing scenes at the end that want to talk about it, and the strange ways of dying are only unthinkable but not impossible, but that also partially conceals the director's mind that emphasizes form over connotation, perhaps Just like the cunning film critics who have always disliked the big box office at a small cost: they use crappy editing as suspense to show off.
Having said that, everyone's standards for stimulation are different, and there may be times when a literary film with a simple face is the stimulation of some people. But for me, I think there are very few movies that are both stimulating and literary. If you feel superficial, watch literary films; when you are very empty, watch horror films. It's very simple.
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