to be honest

Eduardo 2022-01-25 08:03:32


In this film, the actors contribute more than the director.

Male One has always spoken carefully, without any superfluous expressions, and knows how to keep the cold duty of a national security agent in the East German era. Then quietly, I changed my aura little by little, so that I never felt anything, until I tried hard to see more things in his face and eyes. But in the end, the eagerness when holding the actress was a bit overwhelming. This deliberate and redundant confession probably comes from the worry of the screenwriter or filmmaker, ha. It's a bit like our client, always worried that the audience won't understand why this person will force a confession and steal the typewriter, so he must give a narration to explain clearly.

The director almost meant it. The previous films did not seem to reflect very well. I don’t know if I used this theme to turn around. In short, I didn’t think clearly about the topic of "Other People’s Lives." The couple’s life and the eavesdropper’s perspective vacillated, and it was not until later that the coordinates were gradually set, leaning towards the eavesdropper. In fact, I can see that the original idea is buried in it: the life of being wiretapped begins to take place when the earphone is removed, and it disappears. It's a pity that I couldn't hold on. . .

After talking for a long time, I suddenly realized that I was running a little bit. I wanted to boast something, but I changed the tone.

In fact, when I watched it, I really felt very good. The farther back the better. It’s quiet in the middle of the night, with the door closed by one person upstairs, and the small stereo is on. Seeing these human temptations and inner wrestling, there is no fierce sound, but it is very quiet. It is dynamic.


PS Let me talk a little bit off topic. Probably everyone has a certain desire to spy on other people's lives. Snooping on this matter is also a kind of connection. If there is a connection, it must have an impact. The beginning of the impact is the beginning of the loss of initiative. Human feelings are like this.






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Extended Reading
  • Michale 2021-10-20 19:01:15

    In the background of en, 1984, I saw the sudden burst of crying on November 9, 1989. . . The rhythm of the movie is very good and the music is great. . .

  • Ludie 2022-03-20 09:01:16

    It's very touching and has a very shocking ending. Under the pressure, how to maintain faith?

The Lives of Others quotes

  • Hauptmann Gerd Wiesler: Madam?

    Christa-Maria Sieland: Go away. I want to be alone.

    Hauptmann Gerd Wiesler: Madam Sieland?

    Christa-Maria Sieland: Do we know each other?

    Hauptmann Gerd Wiesler: You don't know me, but I know you. Many people love you for who you are.

    Christa-Maria Sieland: Actors are never "who they are."

    Hauptmann Gerd Wiesler: You are. I've seen you on stage. You were more who you are than you are now.

    Christa-Maria Sieland: So you know what I'm like.

    Hauptmann Gerd Wiesler: I'm your audience.

    Christa-Maria Sieland: I have to go.

    Hauptmann Gerd Wiesler: Where to?

    Christa-Maria Sieland: I'm meeting an old classmate. I...

    Hauptmann Gerd Wiesler: You see? Just now, you weren't being yourself.

    Christa-Maria Sieland: No?

    Hauptmann Gerd Wiesler: No.

    Christa-Maria Sieland: So you know her well, this Christa-Maria Sieland. What do you think - would she hurt someone who loves her above all else? Would she sell herself for art?

    Hauptmann Gerd Wiesler: For art? You already have art. That'd be a bad deal. You are a great artist. Don't you know that?

    Christa-Maria Sieland: And you are a good man.

  • [Wiesler enters the elevator at his apartment building. A young boy with a ball joins him]

    Junge mit Ball: Are you really with the Stasi?

    Hauptmann Gerd Wiesler: Do you even know what the Stasi is?

    Junge mit Ball: Yes. They're bad men who put people in prison, says my dad.

    Hauptmann Gerd Wiesler: I see. What is the name of your...

    [pauses]

    Junge mit Ball: My what?

    Hauptmann Gerd Wiesler: [thinks for a few more seconds] Ball. What's the name of your ball?

    Junge mit Ball: You're funny. Balls don't have names.