my eyes . The introduction of watching this film many years ago said how stream-of-consciousness and dull it was almost as if it was something not seen by human beings. Cai's films have been watched one by one, and then look back at the stream of consciousness and dullness of the TM. Cai has more lines in Cai's works. The
most violent scene is Xiaokang preventing his mother from sealing up the gaps in the house. Mother's loneliness was due to her father's death. She always thought that her family was too bright and her father would not come back to see her. Her favor is shown in the protection of a cockroach, the cry of a fish, and the late-night dinner. In fact, the relationship between father and mother before his death is unknown exactly how much it is nostalgic for the dead I prefer to believe it was just haunted by loneliness and emptiness of nothing but human life can not get rid of the ridiculous possibility that the cycle of
films beginning Miao days end I ordered a plate of dumplings and called Xiaokang to come out to eat, but there was no response. The second scene where the relationship between father and son should not be close is that Li Kangsheng's face, which has always been a bit cumbersome and expressionless, said in a flat tone, "Dad is going to cross the tunnel, you have to follow." After his father died, he was even afraid to go to the toilet in his own house. His attitude was the opposite of his mother's. From selling urns in "Long Live Love" to the small business Xiaokang who sells watches on Tianqiao, he has never done so-called promising things. His status seems very contemptible, and naturally no one around him cares and cares about him. Chen Xiangqi's box of small cakes almost flattered Xiaokang. Paris time difference is 7 hours. Xiaokang began to turn back all the clocks he could see by 7 hours, trying to have a connection with Xiangqi in Paris.
Also suffering from obsessive-compulsive disorder is Xiangqi in Paris. She doesn't speak the language and has no friends and doesn't look like she's going to work. Every night she opened her eyes in her bed and listened to the footsteps overhead and wondered who the person living upstairs was. She even had trouble going to the restaurant to order food, so she bought a lot of dry food to eat at home or just drank cup by cup of coffee in the cafe until she vomited. She had to wear the watch she bought from Xiaokang from time to time. If it suddenly disappeared, she would start rummaging around for the watch as if it was a consolation for her. Or she didn't have anyone around when she was in Taiwan, so she was so eager to leave and the person who was finally willing to sell her the watch became her only concern. I wondered whose grave she had been standing in the Lachaise Cemetery for so long. Later, I met JEAN PIERRE LEAUD on a cemetery bench. When she was trying to find Xiaokang's phone number, she got the phone number and name of this strange Frenchman, which suddenly quieted her down.
Cai Mingliang made the climax of the film still a habit. Sexually placed last. Mom used the pillow Dad used to masturbate, and realized that she was still lying on the bed alone. Xiaokang lives and eats in his car because he can't stand his mother's nervousness. The cake that Xiangqi gave him has rotted for too long. He threw it out of the car window without any scruples. The box watch has been stolen and all that should be kept is gone. Xiang Qi and Ye Tong still didn't find the warmth she needed after their ambiguous kiss. Before leaving, she looked panicked on Ye Tong's bed, looking for a watch. Paris seemed so cold that Xiang Qi's tears froze in her bloodshot eyes.
Miao Tian was in a Paris park. The appearance of that was too surprising. The act of holding up the umbrella to lift up Xiang Qi's suitcase floating on the lake seemed to make people feel a little bit warmer, but everything was frozen on the back of the giant Ferris wheel and the fading Miao Tian.
Later, the official who went to watch the movie stood in the column of "Detailing Partners" and saw that the Chinese Xiang Qi met at the Paris subway station was actually played by Chen Zhaorong. He was already very popular because of the TV series. Run to Paris to play a passerby. When I saw this, I could not help but be moved. This is enough to show that Cai Mingliang and his group have almost become a kind of performance art. Even if the so-called sense of existence in this world is recognized by the public, it still needs some individual, tangible, subtle and self things to reflect its true value, and they often have unexpected power to infect.
When I went downstairs with the infection , I asked Xiong if this movie was good, and she nodded vigorously without thinking. I think she should have silently recalled it several times in her heart. Obviously, she started to like them.
Just please remember that Cai Mingliang's works are not the medicine for loneliness, but the food for loneliness.
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