The stupid goose may watch the title of this movie alone. I don't want to watch it for five or six years, but I watched the interview with Woody Allen some time ago. It was Woody Allen's character that I accidentally saw that I could watch it directly on the Internet at night, so I clicked it and watched it for less than an hour and a half, and it was very easy to read it.
The beginning and end of the movie are very special The movie scenes in the movie become reality in the reality in the final movie
I think the most characteristic feature in the film is Woody Allen's performance with trembling palms, often nervous and bewildered, throwing things casually when using a hair dryer, bottles and jars falling down, and the shattering clanging sound all of a sudden I followed with a nervous breakdown. Maybe because I still have a sense of order in my life, so when these regular things are disrupted in front of me, I can't stand it. It once made me want to pause and stop watching.
Woody Allen is talking to himself in the film fantasy movie actors on screen two people keep talking sometimes makes me think of life in London One thing I always admire about Woody is his ability to keep trying new stories. Shooting fantasy and reality are constantly interspersed in the film, and there are also comedy elements
Haha, I feel like he is the protagonist in a Woody Allen movie. Obviously, he is not the director.
The echoes at the beginning and end of the film may be referring to the fantasy of personal heroism that everyone has had.
Excerpted from a dialogue from "In My Heart":
- The theme of "Stupid Goose" is the same thing that occupies most of our lives: daydreaming. How important is this theme in your film? The protagonist in this work tries to turn the movie scene into his current life.
- I once said that if there is any theme in my films, it must be the gap between reality and fantasy, which is very common in my films. I guess it comes down to one thing, which is that I hate reality. But unfortunately, reality is the only place where we can have a good steak dinner. I think this tendency has something to do with my childhood, when I used to escape to the cinema a lot. At that time, I was a very impressionable little boy, born in the so-called "Golden Age of Movies", there were countless good movies... I got into the cinema, where I could see luxury private rooms, white telephones every day Machines, and the charming women and funny men who always have happy endings and the heroes who are always so great. I think that had a decisive effect on me and left an indelible mark on my memory. I know a lot of people my age who never get out of there, so they can't face their lives. They are still living in the 50s and 60s, unable to understand why everything is different from what they once believed and hoped for, so they think the reality is false, too cruel, too ugly. When you sit in those movie theaters, you really believe everything is real. You don't think it's just a movie. You'd think, while I didn't live like that, living in a shabby house in Brooklyn, there are people in this world who live in such lavish houses, who ride horses, date elegant women, and drink cocktails together at night, It's just another life. This was then confirmed by the stories you read in the newspapers of people who lived like movies. The impact is so overwhelming that many people I know will never get over it. This desire to control reality, to rewrite reality, to make dreams come true, is often present in my work, because what a writer or director does is create a world that he wants to live in. You love the characters you create, how they dress, where they live, and how they speak, and the creation gives you an opportunity to stay in that world for a few months. The characters dance to beautiful music, and you are in it. So my films are always pervaded by an opposition between the perfection of fantasy and the frustration of reality.
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