1. Put the bait in the cabin to attract the male protagonist to the bait. Since the bait is destined to die, the explosives are buried directly in the house, and the male protagonist goes in to blow it up and die. Maybe the villain thinks it’s a pity that the good-looking wooden house is blown up. It’s okay to let 24 mercenaries come to practice their hands. At the same time, they are equipped with air strike force. This posture, this time the male protagonist will not be beaten into a sieve and a whole body will be left. Not bad, really sweat for him. . . It’s too late, then the mercenaries rushed up to do it, but the hero doesn’t care about the cabin. He throws a bomb if he doesn’t agree. Good guy, blow it up and blow it up, the mercenary is going to belch. It was over. At this moment, the gunship came to us late for the camera. Maybe it left the ground troops to eat a hot pot before. It was late and the marksmanship was inaccurate. It was clear that it was given to the second man for target practice. I saw one. A ball of flame rose from the ground and then fell from the sky. . . The director said that to castrate the villain's IQ to them just don't want to win.
2. The exchange of hostages in the snow also shows the director's good intentions. Knowing that the male protagonist is a sharpshooter, the villain hurriedly jumped off the plane and volunteered to be a live target without thinking. What kind of spirit is this? This is a dedication of love, so that the villain forgets the smell of bullets. Fortunately, the villain is also a CIA and cannot live unscrupulously. , So I arranged my own sniper in advance, but before the sniper reported that the male lead was killed, the villain had already stood on the white snow to attract the male lead’s attention. This is love, and the love for the male lead is impatient. Ah, what’s more interesting is that the villain took the male protagonist’s rumored girlfriend as a hostage and greeted him a few times, but he never threatened the male protagonist with this, and watched the male protagonist’s bullets flying over. It must be love. , Let the villain forget the purpose of coming, and finally became a slave of love.
3. The pros and the villains confronted each other in the Ministry of Justice. Because of insufficient evidence, the villain left the scene and walked to the male lead in front of the prosecutor, and said that there is no silver three hundred taels here. So there is no scheming, how did the CIA become the leader, no wonder the director can't stand it. I had to arrange for the hero to kill the villain in the middle of the night. . . The head of the CIA and the senator are based in a cabin with poor security. Well, it's a cabin again, emmmm, yes, the male protagonist blew up the cabin again ~ probably the director likes the texture of burning wood. . . Bar
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