. Instead of questioning, Heidegger repeated the "cave" metaphor, and concluded that Plato's definition of philosophical life as stepping out of the cave of existence led Western philosophy in a fundamentally wrong direction, and eventually fell into nihilism. However, the existence of the cave is the existence of politics. Heidegger does not talk about political philosophy, but talks about "philosophy of existence", and then talks about philosophy as a "work of art". If "existence" is "cave" - of course, "cave" needs to be retranslated into "earth", then the philosophy of existence is still a political philosophy, and philosophy as a "work of art" is rather a political technology . 6 In the Iberian Peninsula, modern Spanish is called "Andalucía" (Andalucía), and the use of the medieval Muslim name is called "Andalus" (al-Andalus), which is intended to reveal his "Moor" attribution . Identity attribution is a major issue in Mi Tan's works. It is no accident that Anna lives here in a cave, and she became a friend when she first met the Moorish Said, but it was not random. Zhang Chengzhi said in "The Ruins of Flowers": "The tree of life, it is the reflection of the losers, and the last words of those who sigh. It hangs imperceptibly in a corner of this once glorious and prosperous palace, like a hidden condolence, quietly wishing alone to the world that comes and goes." 7 But Said left suddenly. The two lovers left without saying goodbye. I guess Syed was stunned when he heard the past and present life in Anna's unconscious hypnosis. As a story, he found that he couldn't understand Anna's life at all. When he looked at her paintings, he was even more confused. , Anna has never been so unfamiliar. Anna's paintings are not simple and straightforward, but are filled with countless closed doors, each opening is a life and death. Anna herself said that I paint to forget myself and escape from myself, I don't need to be profound. The door became a baffle for everyone who wanted to enter her inner world, and Syed's departure became a problem consciousness for growing Anna. She chose sobriety, and instead chose conscious hypnosis. 8 Riding a boat with a leaf, holding a bottle to belong to. Sending mayflies in the heaven and earth is a drop in the vast ocean. I mourn the fleeting moment of my life, and envy the infinity of the Yangtze River. Carrying Fei Xian to travel, holding the bright moon and dying forever. Knowing that it is impossible to get it suddenly, the entrusting legacy is resounding in the sad wind. The mayfly is in the sea, and the lonely person is peacefully in the world of suffering, just like being hypnotized and sleeping, being watched by onlookers and himself, without feeling the sadness of dying. In order to resist the void, there is always something to remember. Anna witnessed the most difficult and happiest moment in her life. As Saida, she was giving birth to a child for Yasir. From this, she realized that the true meaning of love, as the oldest treasure, is to give birth to life, and to be born is to exist. This is the threshold of a woman's soul, and it is also the desperate moment when Anna loses her beloved Syed and her father at the same time. She is thrown into the sea, and she bravely finds herself, looking for her own necklace and ring. 9 Prometheus must be pecked by vultures because of his titanic love for man; Oedipus, because he is too clever to solve the mystery of the Sphinx, must be plunged into the vortex of sinful chaos— —This is the interpretation of the ancient Greek history by the god Delphi. It was at the ancient site of the Indians that Anna found the necklace of Osadahiaka, the mother of good people. She knew the truth that she dared not look directly. It was the man she loved who split her head. And reuniting with Said in the street shop, Ana retrieved Saida's ring, she knew that she was caught in a vortex of sinful chaos, and she fell in love with two identical men, one was her father and the other was her own son. . 10 Anna's life suffers from not being able to forget all and penetrate history. A cave is nothing more than an iron house, and hypnosis is just sleepy people. "Suppose an iron house, with absolutely no windows and indestructible, contains many sleeping people , I will soon be suffocated to death, but from drowsiness to death, I do not feel the sadness of dying. Do you think you are worthy of them now that you have raised a loud voice, aroused the more conscious ones, and caused this unfortunate few to suffer irreparably on their deathbed? "However, since a few people got up, you can't say that there is absolutely no hope of destroying this iron house. "In the face of Mi Tan's serious thinking, do we still need to be entangled in why the rebels put a bunch of shit on their faces?
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