The reincarnation of heaven under the elitist revolution

Amparo 2022-01-29 08:06:06

As one of the trilogy of the past, the past of the revolution is undoubtedly one of the most outstanding works. Literally, what is a revolution, Mao Xuan said very clearly, a revolution is the resistance of one class to another class, it is not a dinner party, it is a To accompany the bloody sacrifice at the beginning of the film, the protagonist's urine poured out countless ants. These ants are the representative of a class. The close-up of the director shows us that even the ants are still tenacious in the face of the flood of urine. Alive, this may be the reason why the revolution can succeed. These ants-like people may not have advanced vision, but their vitality is tenacious. Under the same harsh conditions, they are the real masters. Whether it is true or false, but at least, The revolution is done by them. They are the strongest force in the revolution. There are always people who hold an elite view and think that the masses can be manipulated. It is true that the masses are easily influenced by emotions, but don't forget that all this is a flow of opportunity, not an invention. The masses have such emotional needs, and they just happen to be caught by thoughtful people. The elite is indeed stronger than the masses, but it cannot create the masses to make revolution. People should always remain in awe, because you can control and others can too. Legend has it that if you thrive with this, you will die with it. Back to the plot, after the first scene, it was Hu Xian, who was in ragged clothes and mixed into the carriage in a pitiful manner.

A group of people from the upper class pointed at the protagonist Juan who entered the carriage. The sense of class superiority was particularly prominent. As a fanatic, Hu Juan pretended to be unworldly. The director deliberately featured these upper-class people, especially the When they insulted the lower class, the director deliberately fed the crowd. The food produced by the lower class was sent to the upper class. The person who was eating, Juan watched the crowd feasting, and he felt a strong resentment in his heart. He scolded the cook when he was full. This kind of thing is difficult to accept at any time, but Juan must endure it. When Juan's descendants aimed their guns at When these people came, Juan finally revealed his nature and he didn't want to endure it any longer, but a person's strength was always small, and he couldn't resist the crowd. Under the influence of the group, strong self-esteem can always be generated, and all the insults just now will be transformed into strong revenge. Individuals in the group think that they are invincible, so Juan dares to insult the person who just mocked him in the face of the violent group. Power, these upper classes, can only choose to surrender, because they cannot stop this power, and they will show the reasons for the revolution vividly in the opening fifteen minutes. If it is not unbalanced, no one wants the revolution, can't live, wants to Turning over can only make revolution. Marx's class analysis method shows that a person of a class always thinks about things from the perspective of his own class.

When the power is in the hands of the lower-level groups, it will inevitably bring about destruction, so Juan will drive women away like cattle, and will also humiliate the people just now. Everything is like a long-suppressed revenge, but is this a revolution? The answer is no. A revolution must always have a lofty vision. The visible interests can be closely linked to the masses. The invisible lofty vision can strengthen the confidence of the people in the revolution. What Juan launched at this time is not a real revolution, but when he When I meet John, things go in an unpredictable direction. Who is John? A revolutionary who masters blasting technology, explosives mean destruction, and after destruction comes new life, there is no doubt that John is the one who truly masters the revolutionary power. Juan also paid the price for the revolution. In the course of the revolution, we saw that those who were lingering in the revolution completed the revolution, those who were firm in the revolution sacrificed their lives, and those who had a heart won the fruits of the revolution. Tell people who don't read it's time to change, and then they eat and drink around the round table, while those poor people die" Those who get the fruits of the revolution are never those who shed blood, revolution with equality as the slogan , there is inequality. After the revolution, there is a new life. The so-called new life is just a change of people. When the contradictions are irreconcilable again, it will be a new storm. This is the law. Whether it is capitalism or utopia, it is the same. When Buddha was still a prince, he made a big wish to change the world. Thousands of years later, the prince became a Buddha, and the world is still the original world.

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Extended Reading
  • Ettie 2022-01-29 08:06:06

    Leone scolded the rightists and the leftists, but the result is: my grandma doesn't love my uncle

  • Winona 2022-03-24 09:03:36

    Great, getting better and better, ending abruptly in John's memory. The theme of "revolution" was a comedy from the very beginning. The first half of the film was full of gag, and it was very hilarious. What does a bandit who goes into battle with the whole family and a bomb expert with a mysterious origin have anything to do with the revolution? It was not until Hu An's family died in that cave that the audience began to face the topic of "revolution". The director's attitude towards revolution is undoubtedly full of idealism and reservations. History has proven that leaders who come and go are just one dictatorship after another. Would it be better for a bandit like Juan to become a general? Revolution is nothing but killing each other and taking turns. But the director repeatedly mentioned the distant and not-so-distant America through the mouths of the two male protagonists. It seems to be a beacon for all revolutionaries, and the revolution must be done in that way! This is the silver lining of the revolution. The whole of South America is in revolution, what is it like now? How much did it cost? What's the future? The director pointed out the direction painstakingly.

Duck, You Sucker! quotes

  • Juan Miranda: Listen, Günther Ruiz is after us, and now Villa wants to talk to me, I think we should get outta here.

    Sean Mallory: [puffing on cigar] Well, Jesus, Juan-o, you can't leave now, you're a great, grand, glorious hero of the revolution.

    Juan Miranda: Uh, can I tell you something?

    Sean Mallory: What?

    Juan Miranda: [whispering] Fuck you.

  • Juan Miranda: What's that?

    John H. Mallory: It's a map.

    [Juan lies down on top of it]

    John H. Mallory: It's your country you're lyin' all over, there!

    Juan Miranda: [drowsily] Hm-hm. Not my country. My country's... me and my family.

    John H. Mallory: Well, your country's also Huerta, the governor, the landlords... Günther Ruiz and his locusts... this little revolution we're having here.

    Juan Miranda: [alert] A revolution? "Little revolution"? Please, don't try to tell me about revolution! I know all about the revolutions and how they start! The people that read the books, they go to the people that don't read the books, and say "Ho-ho! The time has come to have a change, eh?"

    John H. Mallory: Shhhh...

    Juan Miranda: [mimicking John] Sh, sh, sh, sh, sh, SHIT, SHUSH! I know what I am talking about when I am talking about revolutions! The people who read the books go to the people who can't read the books, the poor people, and say, "We have to have a change." So, the poor people make the change, ah? And then, the people who read the books, they all sit around the big polished tables, and they talk and talk and talk and eat and eat and eat, eh? But what has happened to the poor people? THEY ARE DEAD! That's your revolution! Sh... so, please... don't tell me about revolutions. And what happens afterwards? The same fucking thing starts all over again!

    John H. Mallory: [exhales] Whew. Hmmm.

    [throws a book he was reading into the mud: Mikhael A. Bakunin, The Patriotism]