The reincarnation of heaven under the elitist revolution

Amparo 2022-01-29 08:06:06

As one of the trilogy of the past, the past of the revolution is undoubtedly one of the most outstanding works. Literally, what is a revolution, Mao Xuan said very clearly, a revolution is the resistance of one class to another class, it is not a dinner party, it is a To accompany the bloody sacrifice at the beginning of the film, the protagonist's urine poured out countless ants. These ants are the representative of a class. The close-up of the director shows us that even the ants are still tenacious in the face of the flood of urine. Alive, this may be the reason why the revolution can succeed. These ants-like people may not have advanced vision, but their vitality is tenacious. Under the same harsh conditions, they are the real masters. Whether it is true or false, but at least, The revolution is done by them. They are the strongest force in the revolution. There are always people who hold an elite view and think that the masses can be manipulated. It is true that the masses are easily influenced by emotions, but don't forget that all this is a flow of opportunity, not an invention. The masses have such emotional needs, and they just happen to be caught by thoughtful people. The elite is indeed stronger than the masses, but it cannot create the masses to make revolution. People should always remain in awe, because you can control and others can too. Legend has it that if you thrive with this, you will die with it. Back to the plot, after the first scene, it was Hu Xian, who was in ragged clothes and mixed into the carriage in a pitiful manner.

A group of people from the upper class pointed at the protagonist Juan who entered the carriage. The sense of class superiority was particularly prominent. As a fanatic, Hu Juan pretended to be unworldly. The director deliberately featured these upper-class people, especially the When they insulted the lower class, the director deliberately fed the crowd. The food produced by the lower class was sent to the upper class. The person who was eating, Juan watched the crowd feasting, and he felt a strong resentment in his heart. He scolded the cook when he was full. This kind of thing is difficult to accept at any time, but Juan must endure it. When Juan's descendants aimed their guns at When these people came, Juan finally revealed his nature and he didn't want to endure it any longer, but a person's strength was always small, and he couldn't resist the crowd. Under the influence of the group, strong self-esteem can always be generated, and all the insults just now will be transformed into strong revenge. Individuals in the group think that they are invincible, so Juan dares to insult the person who just mocked him in the face of the violent group. Power, these upper classes, can only choose to surrender, because they cannot stop this power, and they will show the reasons for the revolution vividly in the opening fifteen minutes. If it is not unbalanced, no one wants the revolution, can't live, wants to Turning over can only make revolution. Marx's class analysis method shows that a person of a class always thinks about things from the perspective of his own class.

When the power is in the hands of the lower-level groups, it will inevitably bring about destruction, so Juan will drive women away like cattle, and will also humiliate the people just now. Everything is like a long-suppressed revenge, but is this a revolution? The answer is no. A revolution must always have a lofty vision. The visible interests can be closely linked to the masses. The invisible lofty vision can strengthen the confidence of the people in the revolution. What Juan launched at this time is not a real revolution, but when he When I meet John, things go in an unpredictable direction. Who is John? A revolutionary who masters blasting technology, explosives mean destruction, and after destruction comes new life, there is no doubt that John is the one who truly masters the revolutionary power. Juan also paid the price for the revolution. In the course of the revolution, we saw that those who were lingering in the revolution completed the revolution, those who were firm in the revolution sacrificed their lives, and those who had a heart won the fruits of the revolution. Tell people who don't read it's time to change, and then they eat and drink around the round table, while those poor people die" Those who get the fruits of the revolution are never those who shed blood, revolution with equality as the slogan , there is inequality. After the revolution, there is a new life. The so-called new life is just a change of people. When the contradictions are irreconcilable again, it will be a new storm. This is the law. Whether it is capitalism or utopia, it is the same. When Buddha was still a prince, he made a big wish to change the world. Thousands of years later, the prince became a Buddha, and the world is still the original world.

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Extended Reading
  • Hope 2022-03-20 09:02:54

    The story of a bandit who wanted to bring in a defector, but was deceived by the defector. In fact, the film does not involve much of the idea of ​​​​the rebels, and is essentially a legend of heroes. The more interesting point is that, while showing the cruelty of the rebels' struggle, the small complaints against the rebels through the mouth of Juan reflect the fact that the film is to a certain extent. Some essential problems of historical reformers (such as asset J-level master reformers), coupled with Zhang Muzhi's quotations at the beginning of the film, the director should have some understanding of the theory of continued reformation.

  • Dennis 2022-03-27 09:01:20

    The peasant played by Pavarotti inadvertently stated the original meaning of revolution. Revolution is movement, and it is celestial movement, so the cycle is its destiny.

Duck, You Sucker! quotes

  • [Juan runs to escape a horde of revolutionaries, but is grabbed by John]

    John H. Mallory: Where are you goin', for Christ's sake?

    Juan Miranda: I don't know. I don't know, but something's wrong! I went into the bank. But when I go in the bank, there's nothing there, no money, nothing.

    John H. Mallory: Oh, well, the bank and the money were transferred to Mexico City over a month ago. Well, they've been using this place for a political prison ever since.

    [Juan suddenly cocks his gun at John, who chuckles]

    Juan Miranda: What do you mean, a political prison?

    John H. Mallory: Well, I never said a thing about money. All I asked you was if you wanted to get inside.

    Juan Miranda: But you know that this bank is my life! This is my dream!

    John H. Mallory: Well, the reality of that is... you just liberated a hundred and fifty patriots through sheer courage in the face of danger.

    [giggles]

    John H. Mallory: Ah, yes... you're a grand hero of the revolution now. Viva Miranda.

    [the cheering crowd lifts Juan onto its shoulders]

    Juan Miranda: I don't wanna be a hero! All I want is the money, the money!

    John H. Mallory: VIVA MIRANDA!

    Juan Miranda: You taught me one thing!

    John H. Mallory: [laughing] What?

    Juan Miranda: How to get FUCKED!

    [gives John the finger]

  • Juan Miranda: What kinda work you do for the German? Listen, I asked you a question. What do you do for the German?

    John H. Mallory: I've been looking for silver.

    Juan Miranda: Silver? You know something? I don't understand you. I don't understand how you waste your time and your holy water looking for silver. To me, that's a sin.

    John H. Mallory: Do you have any better ideas?

    Juan Miranda: Si, I think gold is better than silver.

    John H. Mallory: Ah, there isn't any gold in these hills.

    Juan Miranda: Oh ho, yes there is! In Mesa Verde.

    John H. Mallory: Mesa Verde? It's a city.

    Juan Miranda: Of course it's a city! Who ever heard of having a bank in the country, huh?

    John H. Mallory: Uh huh. A bank?

    Juan Miranda: Not "a bank." *The bank!* The most beautiful, wonderful, fantastic, gorgeous, magnificent bank in the whole world! When you stand before the bank and you see it has the gates of gold, like it was the gates of heaven. And when you go inside, everything, *everything* is gold! Gold spittoons, gold handles, and money, money, money is everywhere. And you know, I know 'cause I saw this when I was eight years old. I went there with my father. He tried to rob the bank, but they caught him. But they will never catch me, eh, Papa?

    Papa Miranda: Right.

    Juan Miranda: Listen, Firecracker. Now you listen to me... listen, why don't you come with me, eh? And we will work together... and we will become rich.

    [chuckles]

    Juan Miranda: What the hell is your name?

    John H. Mallory: [wearily] Seán...

    Juan Miranda: What?

    John H. Mallory: John.

    Juan Miranda: What is your name?

    John H. Mallory: John.

    Juan Miranda: [laughs] That's fantastic, that is incredible, eh! My name is Juan and yours is John! It's Juan and John, eh? Heh, heh!

    John H. Mallory: So what?

    Juan Miranda: What do you mean, "So what?" Can't you understand that is... that is... the... oh... ah... destiny.

    [John remembers his girlfriend and friend]