The second part of the Wenders Highway trilogy. Like "King of the Highway", it completely abandoned the story, and instead used images to render the emotions of the film and the audience, cold, alienated, and lonely. The whole movie is like the externalization of the male protagonist's spiritual world. Under the persuasion of his mother, the sullen and melancholy writer embarks on an unknown journey. Along the way, he met an old man who used to be an executioner for the Nazis, a silent but psychologically mature little girl, and a beautiful actress who liked him. They accidentally meet a death-hungry entrepreneur by walking into the wrong house. The entrepreneur, speaking in a dimly lit room about loneliness and the function of philosophy and politics, finally chose to hang himself. The little girl disguised herself as an actress in a room making out with an unsuspecting writer is found and slapped, the little girl's lust for lust leads her to make the wrong move. The writer tries to push the non-swimming old man into the water on the boat. The film does not explicitly explain this behavior, but the old man's past experience seems to be related to this. The relationship between the writer and the actress eventually ended in vain. The writer ends up on a new journey on his own, going through people and things that don't seem to have much of an impact on his life and state. He wants to continue a foolish life, and is eager to wait for a miraculous experience. There is no storm now, and there will be no future. Close your heart and be alone.
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