woman's map

Ulices 2022-01-27 08:23:42

In 1967, American social psychologist Stanley Milgram proposed a theory of "six degrees of separation". Simply put, the theory holds that in the context of interpersonal communication, any two strangers can establish contact through "friends and relatives of relatives and friends", and only five friends in the middle can achieve the goal.

This seemingly simple but mysterious theory has attracted the attention of mathematicians, physicists, and computer scientists. They found that many other networks in the world also have a very similar "six degrees of separation" structure, such as the structure of business connections in economic activities, the structure of food chains in ecosystems, and even the structure of neurons in the human brain, as well as molecular interactions within cells. Action network structure.

Regardless of how JJ continues to play LOST or the upcoming Six Degrees, it's a very real growth map for The L Word (TLW). We all say that everyone is in a network, there is a large space between us, but we are always connected, not by chance or necessity, it may just be a choice.

This map first appeared in the third episode of the first season, because I wrote in the viewing record: This lace edge map is really amazing!

Before the beginning of each episode, there is a sub-plot that is outside the main plot, but it is not a completely unrelated plot. This is the most original feature of TLW, and it is true that there is such a simple map at the beginning. Time It took a long time for the simple interweaving of lines and lines to achieve this magnificent relationship diagram of AL.

In the eighth episode of the second season, SHANE go to church and confess:

SHANE-
Father, please forgive my sin
Bless me father, for I have sinned
since my last confession to be 16 years ago
It's been 16 years since my last confession

the priest -
What are you here for tonight?
Tonight the What Brought you here Wallpaper and

SHANE-
everyone wants to get something from me
Everyone want someting from me and
I feel I have nothing to give the
Idon't feel like I have anything left to give

the priest -
until now Until you gave him (her) what they do
the What you have have been Giving up an until now

SHANE-
[Color = Red] [b] of the
sex [/ b] [/ color ]
this is the people basically want
that's mainly what people want
to be honest
Actually
I do not know
I do not even know at this point
I do not know
I do not, I do not know
I do not know
I do not know

the priest -
do not you think you have to satisfy everyone wants a relationship and you need to do
Don you Feel you have have to have have Sex with the everyone wants the wHO IT

SHANE-
in the church when I do not
Church the I DID not an In

......

SHANE-
I like the confession because
The thing I like about confession is
you do not see each other's face
You do not have to see the other person's face
do not see that they have how sad
and you don't have to see how hurt they are
when
they realized that
you couldn't live up to their expectations
you can't be that thing they want you to be

priest -
but maybe you still could You will encounter some
you might find there are people
do not want to get anything from you people
who do not want anything from you
they just want you to know
they want to know you the just

SHANE-
about it, I have not met had that person
Yeah I have not met anyone like that
in any case, there was nothing to know
Anyways, there's nothing to know

Therefore, from the dialogue between Shane and the priest, the intention can be summarized. When AL started to plan this map, he just used "SEX" to connect them.

In fact, this map of netting actually represents more emotional entanglements. Whether it has appeared on this map or not, take the example of the first season, such as many episodes in the fourth episode of the first season. Ji Ge, Jenny falls in love with Marina in episode 5 (and until Tim finds out about them in episode 6, and then gets married in a flash, until the surprise appearance of Marina's duke son in episode 9), everyone helps Dana try out the beautiful Chef Lara, or Tina being "chased" by the sperm donor's woman in episode 7 (to Tina's child losing signs of life in episode 10, and Bette's debate with Fea who equates art with pornography in episode 11), And the subtle connection in the twelfth episode where each person tells his first coming out story... and so on, all kinds of emotions weave this web.

This map has been growing, whether it was before or after Jenny entered this map, even Max, who should not belong to this map, and even the fake les who got together with AL can be attributed to it. But this map doesn't always grow, like Tina crying and wiping the line from herself and Bette, connecting her to another woman's name, and finally their estrangement; like Dana's long sleep, Shane leaves the upcoming wedding.
In fact, I think the newcomer Max is very pitiful. She and they are not from the same world at all. They should not have appeared on the map in the first place. The result is just like looking at the lights of the city under the mountain from the top of the mountain. It looks really beautiful. , but more shining is something called loneliness.

Tina and Bette's on-against-on-again-off-again-off-again-off-again-off-and-on-off-and-on-off-and-on-off-and-on-and-on-off-and-on" level" is basically equal to the kind of back and forth in "Tokyo Love Story", I really don't know what they are doing.

In the episode where Dana died, each time appears to represent a coordinate, which has different meanings for different people. For Dana, the passage of seconds just points in the direction of stopping, all the time Flow down until a person's life withers. When Dana died, everyone was weaving a map: sex, flirting, trysts, meals, cheating, wounds, old wounds Forget, no matter what they look like or their names... Maybe this group of people will still mention this tennis player from time to time.

In the episode at Dana's funeral, the opening sequence is quite special. There is no constant hustle and bustle, only the faint piano sound; the picture keeps flashing through Dana's past, which is a memorial of death. Ceremony of Death. In the church, everyone wears handsome black dresses or black suits. The most handsome of them is AL, "wat ru talkin' abt, dana was a gay!" It seems that homosexuality is not allowed to go to heaven, right? , AL risked not being able to let Dana ascend to heaven and would not want others to misinterpret Dana.

However, in fact, I think Dana's death, the saddest thing is not AL, not Lara (she is the most pitiful, because she was the last to know about Dana's death), but Shane. Because of Shane's family background, she was abandoned by her mother since childhood. Shane regarded every friend as her own family. When Dane died, for her, another close relative abandoned her. Because of Dana's death, Shane Depressed, as if he had withered along with him, he suddenly said to Carmen, "Would u marry me?" Most likely it was just to make up for the feeling of loss. After saying "yes" twice, the wedding was inevitably aborted.

The memories and the stories of everyone and Dana, the real Dana (the ashes), all flow away with the flow of water. Although this map is missing because of this, although it is a bit cruel to say, Dana's death saved the plot of the third season, and also deepened the objectivity of this map's reasonable existence.

In the fourth season, what kind of changes will this map have, please let us wait and see. (Written in the third season)

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Extended Reading

The L Word quotes

  • Alice: [talking about admitting that they are attracted to each other] Well, we just took the first step, we took the power out of it.

    Dana: [they slow down their stretching and begin to stare at each other. Dana kinda snaps out of it] I think we need to take the second step.

    [and jogs off]

    Alice: [nodding] Yeah, okay.

    Alice: [little bit later on] We need to counteract it. We just need to avoid all situations where we find each other most attractive.

    Dana: Mm-hmm.

    Alice: We need, like... rules of un-attraction.

    Dana: Okay, like never be alone together, in places like the bathroom at The Planet.

    Alice: Right! Never be alone together.

    Dana: Especially never be alone together... in places where's there's like a bed or a couch.

    Alice: Right, or - or - a table.

    Alice: Or a floor...

    [Dana smiles]

    Alice: Or the backseat of a car.

    Dana: [smiling] Ooh, that'd be good.

    [catching herself]

    Dana: That *wouldn't* be good!

    Alice: Okay, you need to stop showing up at The Planet after you've worked out, when you're all sweaty and your veins are all popping all over the place.

    Dana: You like that?

    Dana: [Alice raises her eyebrows and looks at Dana like duh!] Tonya hates that. Alright, well then you can't wear those shirts any more.

    Alice: What shirts?

    Dana: You know, the ones where...

    [grinning]

    Dana: they cling to you in some places and fall off you in others?

    Dana: [Alice has a huge grin on her face. Dana kind of rolls her eyes] Fuck you.

    Alice: Okay, that's *totally* against the rules.

  • [Jenny and Annette are in the bathroom at Tim's house having a light conversation about Jenny's affair. Jenny is on the floor sipping a cup of water, while Annette gets ready in the mirror]

    Annette: So Jen... were you always a lesbian?

    Jenny: [Takes a sip of water] I never said I was a lesbian.

    Annette: So it just came outta no where and bit you on the ass like that? Cause I mean... I love women... yeah I mean, for the companionship. I figure I could do without the company of men entirely except dude

    [turns to Jenny]

    Annette: I can't get down with the puss... I love a dick.

    Jenny: I think I'm bisexual.

    Annette: Oh brother...

    Jenny: [interrupting] I do... I really do.

    Annette: Jenny, is this just your way of telling me that you had a crush on me in college?

    Jenny: Annette...

    [gets serious]

    Jenny: ... no.

    Annette: [smiling] You're lying... You were madly in love with me.

    [Turns back to the mirror]

    Annette: Well I gotta get a look at this Marina, to see if she's worth it...

    Jenny: [smiling] no...

    Annette: yeah

    Jenny: Oh no...

    Annette: Yeah... no we gotta stalk her, no we gotta stalker her jenny just a little bit so I can see.

    Jenny: no, no, no... no stalking

    Annette: Why?

    Jenny: Because... um... her girlfriend's back in town.

    Annette: Her Girlfriend!

    Jenny: I know...

    Annette: Man, does this story get any better?

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