When I watched it, I thought of "Invincible East". The relationship between Jet Li and Li Jiaxin of men's clothing is really like the brotherhood between Gan Yucheng and Li Junji.
It's very interesting, obviously Linghu Chong should be with the little sister, but this little sister looks like a man. The one he really loves, looks like a woman, but is actually a man.
Old Monster Xu just loves to tease the audience.
The clown in "The King's Man" is good at walking a tightrope (should be a rope), like a director walking on the edge of scale. The audience did not accept it if it went too far, and directly changed Li Junji into a female character, and there was no topic to attract the audience.
Therefore, Wang's love for Kong Ji is because of the memory of his childhood nightmare. The artist touched his heart and turned him into a child again psychologically.
Come, let's play together.
So in the end, when he rushed up impulsively and kissed the man on the mouth, the audience acquiesced.
Pure carnal desire must be approved of this spiritual coat.
We once regretted that Chen Dieyi was so dedicated that we neglected Yuan Ba Ye, who really understood him and admired him. So here, the "love" between Wang and Kong Ji is gratifying.
But what about longevity?
Does he really love Kongji? He should love. But under the director's ambiguous purpose of guiding everything, we are a little confused.
Does Kongji love him? I think it's his guilt more at work.
If it is French, it will definitely let everyone see this obvious triangular relationship clearly.
The sensation of the movie in Korea is a bit unexpected, and I think it's Lee Jun Ki's fans who are contributing.
Once again, fans are the most powerful.
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