The narrative rhythm is well grasped, not too tight to make people nervous, but it will hang the audience's appetite, and the conflict will continue.
It's nice to see that the director is not politically correct, but is really thinking about the issue of racial conflict. The last segment of real-time photography is thought-provoking, and I suddenly find that the era of inclusiveness in the early 21st century has begun to pass. Everyone has seen enough of the characteristics of various ethnic groups. The road ahead seems to be getting harder and harder, and the truth never has a single answer.
There are traces of Hitchcock in the shot, especially in the scene where the hero and heroine walk to the door with a gun. At the beginning of the speech of the black speaker, the close-up of the audience's face is very good, and the shot is slightly overhead, showing their piety and earnestness and eagerness. In the end, when the director dismissed the male lead, he slightly raised his head to show his arrogant and unreasonable negative image. The funny thing is that it was this person who originally said that he would cover the male lead.
The supporting characters are brilliant and everyone has a point of memory. It can't be considered a great movie, but in the face of political correctness and overkill, this one gives people new thinking. I'm glad to see a director who has gone too far and too many people on the road, who can step back and open the A new road, this is already a work worth remembering in my opinion.
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