image empathy, Reivew on Damnation

Finally finished Beratar's "Scourge". It is finally because it has been nearly a month since the last attempt to watch it for 20 minutes, and it is finally because this film is really not a movie that wins by plot. If you're trying to get a gripping story out of it, you're definitely looking for the wrong person, because until the end I didn't get the feeling that the little tower was meant to convey sentiment, which is emotion, rather than message, which is story.

The story of the movie can be summed up in one sentence. A man is infatuated with a female singer (a married woman) in a bar and cannot extricate himself. All the long shots that seemed to be lengthy, even pointless, have meaning under the shroud of this emotional direction. A feature film that is nearly two hours long, without a single line, or suddenly comes up with a metaphysical discussion, not only tests the audience's endurance, but also tests the audience's IQ.

It is not easy to make an image into an image, which should be the empathy of the image.

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