The arena of all evil capitalism

Clifton 2022-03-15 09:01:03

This film is a little different from several musical films I have seen before. The songs and dances are not the impromptu emotional expression of the actors in the current situation interspersed in the story, but are used to explain the characters' characters and the background of the events, or just The description of the hallucinations in the minds of the parties, and the singing and dancing performances are all placed on the stage, which are basically independent of the plot, somewhat similar to the role of narration. Thinking of Jean Reno's "Golden Carriage", I wonder if the director of this film also wanted to express a view that life is like a drama through this arrangement. However, that section of the strong song and dance was really well performed, the music was beautiful, the clothes were sexy, the dancing was graceful, the scene was fragrant, and it was really soul-stirring. I like the songs and dances of the female prisoners in the prison talking about the reasons for their murder one by one.

It seems that this film does not have a positive character in the traditional sense. The three protagonists are all hypocritical and contrived. Only from Roxie's husband can you see a little non-utilitarian truth. Roxie has undoubtedly been dreaming of being a star, but she did not expect that murder and imprisonment would give her such an opportunity. All professional qualities and communication skills are unnecessary, the only thing that needs to be done is to become the focus of the mass media, just to be famous. And in order to become famous, you don't need to care about the means to achieve the goal, or even whether it is a good name or a bad name. And as the saying goes, "Good things don't go out, bad things travel thousands of miles", nothing can attract people's attention more than committing murder. Although Roxie's murder was just a spur of the moment, but under Billy's guidance, she gradually experienced the thrill of a blockbuster, and then used her excellent acting skills to establish an image of a pitiful weak woman in front of the media, and finally escaped due punishment. . There is also a very interesting performance of Roxie beside Billy like a puppet. In the eyes of Billy, a lawyer who is familiar with public tastes and is well-mannered, criminals, media, judges, and juries are all puppets he manipulates. So he can be invincible.

In general, this is a film that confronts the vanity of the American public, the kitsch of the news media, and the corruption of the judicial system. It exposes the "evil capitalism" just like "Wall Street". mainstream film. Just because a lot of singing and dancing interrupted the development of the plot from time to time, it may be difficult for Chinese audiences who are accustomed to the smooth and compact Hollywood blockbusters.

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Extended Reading
  • Thea 2022-03-25 09:01:06

    I don't like musicals that sing to the end, but I really like this musical adapted from a classic stage play. The song and dance are perfectly combined with the plot. Not only is it not obtrusive but also adds luster. The melody and choreography of the songs are gorgeous and dazzling. The plot also satirizes the reality of corruption. Catherine Zeta-Jones is amazing! The dancing and acting skills stole the show! The lawyer male protagonist looks familiar, but he is actually the young man in "Days of Heaven".

  • Lilyan 2022-03-25 09:01:06

    In the flashy world of flowers, everyone has a dream of becoming famous. It is just good to express the emotions of the characters and the development and climax of the plot through the musical. The film is full of satires on the society at that time and attacks on that person who likes the new and hates the old.

Chicago quotes

  • Velma Kelly: Oh, you're gonna see your sheba do the shimmy-shake... And all that jazz. Oh, she's gonna shimmy till her garters break... And all that jazz. Show her where to park her girdle. Oh, her mother's blood'll curdle if she'd hear her baby's queer for All that jazz...

  • Roxie Hart: [singing] Oh yes, oh yes, oh yes we both, oh yes we both, oh yes we both reached for the gun, the gun, the gun, the gun. Oh, yes, we both reached for the gun, for the gun.