I looked through a few movie reviews and seemed to praise the director very much
Although I have also learned about film appreciation, honestly, I still can’t accept that after you go to see a film, the discussion is about his long-shot, cut-shot and other ways of making movies.
so
I really don't understand what this is about
Let's take two very simple examples
Since the film is called Dominoes, and there are two scenes in the film that even fools can see, one is the protagonist's hand grabbing, and the other is the data cable exposed in the drawer.
Let’s talk about the previous one first, the protagonist’s partner was killed without a gun
What's the point? At the very least, the protagonist feels guilty, right? On the 4th floor, you have to stand out, but the protagonist actually ran after the fugitive.
It's as if you highlighted a foreshadowing, making the audience think that there is a big plot, and the result is a normal plot development.
The second one is even funnier
The bald head killed someone, looked around in the room, and directly aimed at the data line?
If you're looking for something, shouldn't you take the time to search every part of the room?
Isn't it normal to turn over the drawer and need you to leave a data cable? Does the bald head show funny brains and don't know this is a drawer?
so
Although your name is Domino, you have left these two clues to be called Domino. The key is to make him better.
It's like you knocked the first one down and the second one got stuck, embarrassing?
Then let's talk about the plot, what the hell is this mistress?
In the middle of the plot, you get a partner's mistress to come out? What does this identity mean?
As a police officer, can't she investigate the case with the protagonist?
Killing the bald head just for the last shot? Forget the arrest footage?
The second one, an ex-FBI, an FBI who has lost his job, still works with the head of the Danish police
OK, you don't have to write about the relationship they might know, etc.
So what's the point of you taking this character out?
At the beginning, he threatened the bald head to help him catch terrorists, okay, no problem, the branch plot is pretty good
As a result, when you got to the bullring, the two policemen directly killed the terrorists?
The FBI is still chatting with the bald head in the coffee shop?
After a long time, what mobile phone had found this coffee shop before, and it was all in vain to kill the owner of the coffee shop with a bald head?
Why is the FBI still catching bald wives and children?
It ended up being a two-man deal. . .
OK, deal
As a result, the heroine killed her bald head with one shot, and the FBI just left?
you end. . .
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