Leaving Paris (Synonymes, 2019)

Marcel 2022-01-28 08:33:03

1. The Jewish people have the Feast of Tabernacles to commemorate the 40 years of wandering in the wilderness after fleeing the tyrannical hand of the Egyptians. Life in a tent has a similar meaning to "the one who lives in the heavens and the earth, all things travel against it", because tents are opposite to buildings (real estate), and those who live in tents are only temporary sojourners and have no intention of staying permanently. The young man in the film's story finally kept moving and gave up his settlement and naturalization, which shows his sincere yearning and pursuit of freedom. The Taiwanese translation of "Leaving Paris" can be said to be a sufficient point in this concept. Some people mentioned the suspense of the last scene - a door that can't be knocked open, but after the screen fades out, we hear such a knocking sound still going on, which is on the optimistic side, at least, he is not like Kafka's K Sit back and wait; the protagonist's call for help in the kickback is not that no one answers the door, it's just a little late.

2. The youth in the story escape from the identities they were born with, including their associated ties with relatives and friends, customs, beliefs, language, culture and values, nationality, and escape into another interpersonal circle, dress, atheism and republican system, In the language family, the cultural atmosphere that is both decadent and arrogant, and the new nationality, in fact, in terms of phenomena, the development of life seems to have undergone great changes, but in essence, he is still subordinate, or succumbed to another kind of authority and dogma. From this point of view, there is no difference between young people saying that the little boy has a gun (Israel) or a violin (France). That's why the synonyms in the dictionary are the part of the story that sparks the debate about the phenomena and the nature behind them—beyond appearances.

3. When people in a democratic, free, and open society use avant-garde ideas such as deconstruction, skepticism, and nihilism to advocate moral abolition, and hold this banner to humiliate the truth - to force this innocent child to blaspheme, In Hebrew he shouted out the deepest, most painful, lost question as a person: What am I doing? Just imagine, many North Korean defectors who fled to South Korea say they have fallen into the capitalist hell and are suffering, especially when they become girls in the red light district to earn living expenses, and even go on variety shows to talk about the memories of their escape. Some guests asked them in the mood of anticipating monkey juggling: show us your dance, sing your song, tell us a little about your living conditions, and speak your dialect! After returning home from a child who survived the concentration camp in Sorstalanság (2005), he does not understand why people keep asking him about the tragic experience of the concentration camp. Concentration camp survivors in The Reader (2008) rhetorically: People always ask me what I have learned, but is the concentration camp a school? So, facing the brutal exploitation and consumption outside the new society, and leaving Paris (Synonymes, 2019) at the end of the story, this young Israeli took back the story he peddled, preserving dignity, privacy and self-integrity.

4. The Revolution of Hope: Toward a Humanized Technology 2. Hope, 5. Resurrection:

This metamorphosis of the individual or society allows us, even compels us, to redefine the meaning of the resurrection - a setting without any theological implications. Resurrection under this new meaning - for which the religious meaning may be one of its symbolic expressions - is not the creation of another being after this one, but Transform this reality in a more vital direction. Man and society, in this moment, in their hopes and beliefs, are resurrected every moment, every act of love, cognition, compassion is a resurrection; every act of laziness, greed, and selfishness is a resurrection. is death. Every moment of time puts resurrection and death before us, and every moment we give answers. The answer does not lie in what we say or think, but in how we live, behave, and move.

Leaving Paris, the protagonist of the story not only rises from the dead, but also gives everything. For Aimille, the rich boy, giving some materials and money is a drop in the bucket. The protagonist who cherishes this affection, but gives everything in return - a lip ring in return. The story starts from here, the young man's life situation is developing towards a more vital direction, unlike the young man in the upper class of parasites (기생충, 2019), who is hunting and looting (hoarding) more resources with whimsy . Thinking about the plot from Ameler's point of view, due to the appearance of the Israeli youth, he broke the predicament that he was sitting on everything but was bored. This is a difficult predicament to understand, and then gradually walked out of the fantasy, and finally was able to live a down-to-earth life .

5. The pursuit of freedom, like resurrection, refers to life being "transformed in a more vital direction", so freedom is not written off from the past, or that people can leave the land and fly and float in the void, which is why it is crucial. At times, the background of Hebrew and military training will emerge from the youth. In fact, these pursuits of freedom do not hinder the pursuit of freedom. Confinement itself and freedom are inseparable and mutually reinforcing entities. What really hinders is empty assumptions, which are also the blind spots that young people gradually eliminate in their lives in Paris.

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Extended Reading
  • Zella 2022-01-28 08:33:03

    #69thBerlinale# Main contest. The No. 1 seed before the game is a rather windy WTF movie. The film has a clear relationship with the director's 2006 short film [Emile's Girlfriend]. The scale is relatively large and the birds are often exposed... The plot is actually rather absurd. The focus is on the sharp and incomparable complaints about Israel's nationalism and ideology and France's "universal values" through a series of actions of the male protagonist "rejecting the mother tongue". and reflection. In addition, the audio-visual quality of the film is also very creative and worthy of praise. The editor is also the director's mother...

  • Bobby 2022-04-24 07:01:25

    6/10. The door has become the core concept of being present at all times. When Joav, who has nothing, goes door to door and knocks on the door for help, France, which once represented fraternity, is just a closed door to others, just like the bright yellow that Joav never took off. The coat created a gap between the dark brown-clad crowd around him, and he never managed to break through the language-constructed Western self, recklessly and overwhelmed by a low growl that couldn't break open the wooden door. The director put the dramatic wrestling on the fierce collision of two languages: when the teacher of the French class asked each student to sing the national anthem in their native language, Joav just repeated the lyrics without realizing that the teacher signaled him to stop halfway, and then sang the French national anthem and added He used absurd body language and challenged the rules of Western values ​​on the other in a grotesque way. In another scene, when he was a nude model, he was wantonly controlled and insulted by the photographer. He cursed in Hebrew and disintegrated. The sublime of the West and take the initiative to return to the culture of the mother country. The film’s narrative is slack and jumping almost badly. The scenes of shopping, working in the embassy, ​​and the memory of the conscription system are combined in a jittery way. There is no softness in the coldness, and it is impossible to express abstract intentions with ease.

Synonyms quotes

  • Emile: He says giving up your language kills part of yourself.

  • Emile: My love, marrying is faster than fucking.