Eavesdropping storm

Adelbert 2022-01-25 08:03:32

The story took place in Berlin, East Germany in 1984. In order to grasp the people's ideological dynamics, the National Security Bureau used extreme monitoring and interrogation. Many artists were "suicided." History is always surprisingly similar, so during the Cultural Revolution, intellectuals were persecuted madly.

The intelligence agent moved compassionately while monitoring the artist's husband and wife, and tried every means to save the two. Empowering vulnerable female artists, monitoring peers, and concealing eavesdropping content, was suspected by the minister and lost her job. This may be the protagonist with the fewest lines, but the shock to the audience is tremendous. In contrast to the fragile wife’s behavior, the wife is unwilling to give up her pursuit of art. In order to return to the stage, she will not hesitate to sell her body and the person next to her pillow. But there is nothing wrong with it. I understand her choice. This enthusiasm for art is worthy of our admiration.

The silent guardianship of the intelligence agent in the film conveys a human force. I often think that this action is a ray of light in the dark, which not only protects the artist and his wife, but also gives the intelligence agent a touch of warmth in the suppressed and lonely life. How lonely he must be. At that time, the National Security Bureau was like a rat crossing the street, everyone shouted and beaten. He was unsmiling and had very little communication with outsiders. After recruiting prostitutes, even prostitutes were unwilling to stay with him. This guardian may also be a kind of comfort for the intelligence agent's soul.

After the fall of the Berlin Wall, Geodreman learned by accident that he was not under surveillance as he thought. But there is a secret police who silently conceals all important information and protects them in secret. The writer was sitting in the car and saw from a distance on the street the man who had protected them under tremendous pressure and even lost his job because of this. Afterwards, Geodreman, who hadn’t written for a long time, published a book "Sonata for Good People." Weissman went through the bookstore and opened the book. The title page of the book read: To HGW XX~/7 Agents, that’s exactly what Geodreman learned his number from the Archives.

"Sir, do you need packaging?"

"No, this is for me"

Yes, this is for you, a good person who protects others with his own strength in the dark and oppressive years. I didn't expect such a shocking ending. The brilliance of Weissmann's human nature and the power of communication can be read by every reader in the world. Before this, I had been entangled, why didn't the writer meet with the agent in the end? The answer is self-evident at this point.

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Extended Reading

The Lives of Others quotes

  • Georg Dreyman: The state office for statistics on Hans-Beimler street counts everything; knows everything: how many pairs of shoes I buy a year: 2.3, how many books I read a year: 3.2 and how many students graduate with perfect marks: 6,347. But there's one statistic that isn't collected there, perhaps because such numbers cause even paper-pushers pain: and that is the suicide rate.

  • Hauptmann Gerd Wiesler: Madam?

    Christa-Maria Sieland: Go away. I want to be alone.

    Hauptmann Gerd Wiesler: Madam Sieland?

    Christa-Maria Sieland: Do we know each other?

    Hauptmann Gerd Wiesler: You don't know me, but I know you. Many people love you for who you are.

    Christa-Maria Sieland: Actors are never "who they are."

    Hauptmann Gerd Wiesler: You are. I've seen you on stage. You were more who you are than you are now.

    Christa-Maria Sieland: So you know what I'm like.

    Hauptmann Gerd Wiesler: I'm your audience.

    Christa-Maria Sieland: I have to go.

    Hauptmann Gerd Wiesler: Where to?

    Christa-Maria Sieland: I'm meeting an old classmate. I...

    Hauptmann Gerd Wiesler: You see? Just now, you weren't being yourself.

    Christa-Maria Sieland: No?

    Hauptmann Gerd Wiesler: No.

    Christa-Maria Sieland: So you know her well, this Christa-Maria Sieland. What do you think - would she hurt someone who loves her above all else? Would she sell herself for art?

    Hauptmann Gerd Wiesler: For art? You already have art. That'd be a bad deal. You are a great artist. Don't you know that?

    Christa-Maria Sieland: And you are a good man.