"Izang" is a series of battles throughout, and when such violence is being fought against violence, the plot does not need to be too much. The background time is different, and the substance is the same. And what is the difference between the past and the fantasy world, original sin and Bodhi, temptation and innocence, barren and gorgeous? Under the slaughtering knife, the killings carried out in the name of the only solution to murder are witnesses only that everything is as light as a gossamer, everyone is the same, the difference is not even a tiny bit, the biological mother who fell under the slaughtering knife, the Buddha who represents the sacred dignity, Evil warlords and so on and so forth are exactly the same thing. Flesh and blood were flying, and the fighting continued without hesitation, as if we had to eat when we were hungry, the difference was as big as the world, and it didn't matter.
In a society formed by a social contract, when faced with the sins and ugliness of human nature, and in the desire to preserve oneself and seek security, people have too much in common. Once outside the framework of civilization, people are bound to return to their natural state: selfishness, brutality, combativeness, and fear. How can the original Lord of the Flies only be staged among the children in the book, hehe. He acts in the civilized world only without giving up the natural rights of the individual and without being educated, so that one man opposes the whole world. I don't believe in secular truth and I don't understand norms and regulations, so I don't need any words to explain, standing in a separate world, the two worlds are only about the intersection of killing.
Need to make it clear that this is a movie. Anyone who dares to take a small kitchen knife and walk around the street twice will either go to a mental hospital or visit the police station for free. And the killing of Yi Zang is not a kind of slaughter. The slaughter is a kind of personality distortion under the civilized system, the wanton venting of the animal nature, and the pure annihilation of all animals with conscience. No, not even animals. Yi Zang confronts the turbid world between heaven and hell, without the slightest emotion, just a way, like the simplest words.
Selfishness, fear, greed, cruelty and ruthlessness, people guarding against each other, hostile, fighting endlessly, are in a terrifying natural state like wolves and wolves. From this point of view, it is not necessarily the movies that are really bloody.
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