"I don't know, miss."
"Use your brains, fool."
"I don't know, miss."
"If people put everything Destruction, everything is lost, but the sun is still rising, the air is still fresh..."
——The
camera stops, the subtitles rise, some people stand up, the chairs rattle, and some people continue to sit stupidly in the dark room ,faint.
Godard's name is Carmen, and it is this virtue when it is finished. There were very few people who made it to the end of the show. They were confused, and more of them left the stage. The interesting thing was that they were all boys. I guess I was frightened by those naked long shots. ^^
I also fainted after watching it. I was dizzy and went back to the dormitory to be ignorant. It was not until I lay in the bed that I remembered it, and I felt like eating olives or strong tea, and the aftertaste was endless. So the more I think about it, the better, I wish I could sit up and roar, it's so damn good!
The works of the old fairy who have been dormant for a few years and returned to the world, and changed the famous works of Merimi, that way, it seems that the indifferent and vicious (?) of looking down on the world from the sky is really. Speaking of which, I really like the Carmen he chose, with so thick black hair, thick black eyebrows, slanting into the temples, lips and clothes blindly red, although not as charming as the dancing girl in red in my heart, it has a chilling taste, and The tone of this film is crazy. Is the male protagonist? It's a pity, I forgot. It seems that no one cares about Tang Hesai when reading novels. With a woman named Carmen, a man is destined to be a hazy virtual shot.
The film looks very chaotic at first glance, but in fact, it is like the fate of the gods, everything has a sign, and everything is destined. The clattering trains lit up with lights, staggered, and then ran in opposite directions; desolate reefs and futile waves, slapping down, slap, slap, almost black water with broken white foam, look, nothingness, vain. Quartets are everywhere - seems to be Beethoven's supposedly toughest work? I am relatively music-blind, and I only remember reading comments before, saying that Beethoven's music is not necessarily pleasing to the ear, but it is aesthetically pleasing, and meets the aesthetic requirements of huge volume and 'sublime'. The beauty of that kind of music lies in a challenge, conquest, like climbing a mountain , Didn't she rise from the high mountain film, sure enough...), anyway, in the film, the girl playing the qin has always looked solemn. Professional film critics make great fuss about the structure of music and film, so I don't care, it's enough to look at other people's results.
Well, in short, I like this movie, I like the indifferent and desolate tone, those fragmentary details, those calm and cut-off lines, when I look back at the paragraph quoted at the beginning, I suddenly think of Dream Pontoon Bridge - the most depressing book in the world. What is the name? ——The sun still rises
indifferently, I die, and the world remains the same. Lighter than a feather, that's it.
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