Addicted to the Dutch brother, he couldn't extricate himself from archaeology...
It should be the director's fault that the score is not high, after all, the actors' acting skills are all online
There was always a crazy fire burning in my father's eyes, and the sense of depression really came out.
The eldest son played by the younger brother Holland is fragile, sensitive and soft. His father described him as "sissy", but he is indeed a bit introverted. ?" The first reaction to being hit by a snowball fight was to be angry, it was too real, he was the kind of boy who was not good at speaking and a little boring but was very self-respecting, as if he saw my younger brother who was in adolescence...
The younger son is stupid, or he is still young, he just wants to get close to his father, he wants to try and take risks, skin boy
。。。。。。。
The whole movie revolves around a divorced and unemployed father and two sons. The tone of the whole movie is very strange. The father is very strange, and the two sons are also a little strange. At the beginning, the father's expression and actions are...weird. The kind that has been so irritable and extreme in his own world that he is about to explode, but the surface is hard to wrap but not tight enough to leak out.
The eldest son should have been relatively indifferent to his father and didn't want to get along so closely through this vacation, so he kept his father out of his safe zone from the beginning. In observation, coupled with his sensitive and fragile personality, um, It also behaved strangely.
The younger son is very close to his father emotionally, and he is also a man who does not want to be restrained, such as actively trying to play with guns and try to drink. The two sons have very different personalities. When the Dutch brother was driving in the car, the two brothers suddenly had a fight.
The father is even more strange. It's okay for the younger son to be nothing special, but for the eldest son... it's not just the possessiveness of the son, right? Although there is no direct expression, but the angle of the filming method and the father's attitude and actions towards the eldest son, somehow feel it? ? Very gloomy possessiveness about sex? desire? ? ?
One is where the eldest son took off his clothes after he was rescued from the water. Normally, he would help him take off face-to-face, but here the father stood behind the eldest son, with his strong and generous arms around the eldest son, Holland, who was thin and tender (sorry), shivering. Small body, eager to undress...really...
Another is that after the two sons escaped for the second time, the father chased them in the woods. He didn't care about the younger son, but just kept forcing the eldest son to tell him that he was a very poor father? wtf? ? why? Please forgive me for not understanding. And in the end, in a trapped posture, he hugged his eldest son from behind, curled up...
What are the directors and screenwriters trying to convey? It's not really a thriller, it's just a perverted and twisted father who is paranoid and possessive and wants to imprison his son by his side. It's not so serious to say that he's paranoid and perverted. He really does not want his son to leave, how can they continue to be trapped here, after all, it is suppressed by force. So I still don't understand what the director is trying to say
There is also a killing of a rabbit and a deer. What do you want to express here?
View more about Edge of Winter reviews
