All spoilers, don't enter

Mara 2022-01-25 08:02:12

Appearance:

Male lead: out of task

Hostess: catch the bus

Opening:

1 Stimulating opening of a small murder case

Dialogue with passersby leads to potential danger: elevator falling

Elevator falling

The horror group appeared, and the protagonist's partner duo appeared, leading to the first task line:

Task line 1:

Rescued the hostages stuck in the elevator

Difficulty: The elevator that can be detonated in minutes, the kidnapper who can detonate the bomb at any time

Tension point: detonate the elevator early / race against time / cringe hostage (at the same time reflect the protagonist's character) / freight elevator rises, pinch crisis /

Purpose: To reflect the character of the protagonist and trigger the main task line.

Suspenseful point: Why don't the kidnappers do it in advance?

Task line 2:

Spur Line 1: Rescue car hostages at the scene

Difficulty: Keep the speed, send money before the death line, kidnappers who will detonate bombs at any time, real-time TV reports (the kidnappers can keep track of the trend at any time)

Difficulty upgrade: accidentally injured the driver-inexperienced driving control speed and safe driving / the injured cannot get off the car

The difficulty is escalated: the injured get off the car during driving / the passenger who violates the rules is blown up, causing tension in the car / road section

Difficulty level three: airport scenes, progressive crisis-bomb bombs under the car/trapped under the car and unable to get out/the car leaks oil and cannot be maintained

The last level: the heroine is abducted by the villain, the bomb crisis / subway crisis (bus upgrade version)

Spur Line 2: The police station locates the identity of the villain

Method: find-find ideas and locate-fall into a trap

Feeling line:

The female protagonist passively becomes the driver and forms a temporary partner with the male protagonist

Crisis-dependency

Post-crisis chat-emotional connection

Comfort after the tension-deep connection

Go through a cross-sectional crisis together (the female protagonist’s greatest crisis, full companionship)

All escaped, only two of them depended on each other and escaped together

The male protagonist single-handedly rescued the female protagonist with a bomb, resigned to his fate in the subway crash

Small bridge section:

The protagonist loves chewing gum

The woman who fleeed lost a shoe

I said that I was going to hurt the hostages, but I really hurt the hostages in the back.

Be surprised and slow down

Bumping cans in a stroller

The passengers all sat down to solve the rollover crisis

Gagging by out-of-town passengers

View more about Speed reviews

Extended Reading

Speed quotes

  • Howard Payne: What do you think, Jack? You think you pick up all the bus driver's teeth they'll give you another medal?

    Jack: Jeez...

    Howard Payne: You think I wouldn't have been prepared? Two years I spent, setting up that elevator job. Two years I invested myself in it. You couldn't understand the kind of commitment I have. You ruined a man's life's work and you think you can walk away? You got blinders on to the world! But I got your attention now, didn't I Jack?

    Jack: Why didn't you just come after me?

    Howard Payne: Now this is about my money. This is about money due me. Which I collect. $3.7 million. It's my nest egg, Jack - at my age you gotta think ahead.

    Jack: When I find you...

    Howard Payne: Oh, quiz hot shot. There's a bomb on a bus, once the bus goes 50mp/h, the bomb is armed. If it drops below 50, it blows up. What do you do? What do you do?

    Jack: I'd wanna know what bus it was...

    Howard Payne: You think I'm gonna tell you that?

    Jack: Yes.

    Howard Payne: Aha, very good. There are rules, Jack, and I want you to get this right. No one goes off the bus. You try to take any passengers off the bus, I will detonate it. I want my money by 11 A.M.

    Jack: We can't pull that kind of money in time!

    Howard Payne: Focus, Jack! Your concern is the bus. And don't try to call. The radio's down. Now, the number of the bus is 2525, it's running downtown from Venice. It's at the corner of Ocean Park & Main.

  • Lt. Herb "Mac" McMahon: Alright gentlemen, what we have here is 13 passengers in a express elevator. Below floor 30. Bomber's already taken out cables, bomber wants $3 million or he blows the emergency brakes.

    Harry Temple: What's our clock?

    Norwood: He gave one hour. That leaves us twenty-three minutes exactly.

    Swat Cop: Anything else that will keep this elevator from falling?

    Jack: Yeah, the basement.

    Lt. Herb "Mac" McMahon: The city would like to avoid that event, Officer Traven.

    Harry Temple: We can't just unload the passengers?

    Lt. Herb "Mac" McMahon: This is an express elevator gentlemen. The only way in or out is through access panels. Bomber's also wired the hatch to trigger the bomb, which seats him in the crazy-but-not-stupid section.

    Jack: Sir, Harry volunteers to examine the device.

    Harry Temple: Yeah, right.

    Lt. Herb "Mac" McMahon: Fine. The two of you check it out.

    Norwood: The nearest access panel is on the thirty-second floor in the lobby.

    Lt. Herb "Mac" McMahon: I want reports only, we're in a holding patern. Worthy, Briggs, I want you to secure base area, no one in or out. Everyone else, I want you to confirm building evac. Move!

    Jack: [to Harry] Looks like we're walking.