There are several Yimei films that I don't want to watch. I happened to click on this page two days ago, and I was surprised to find that the CE group also appeared in this film. I became more interested in this film. I got up, nothing happened today, it's rare to watch it online.
I thought it was a regular comedy for the niche audience, but the introduction is really harmful, so I didn't miss it.
Telling sadness with joy is a form that I have always liked very much, and a good shot will make me feel that the content of the work is more profound. This one did it too...
At the beginning of a messy party, the bright red that is so saturated and almost distorted is full of gaudy feeling. People's costumes are exaggerated and hypocritical, and reporters are interspersed with them, staring like a fishy mouse. And then the male protagonist appeared, clean and peaceful, wiping the woman's photo under the light of dust floating in the air. This short moment passed, and then there was the contrast of the messy group portraits. The publishing house's "Glorious Years" was sealed in the drawer like this, and Agatha, who appeared immediately, quickly diverted the audience's attention. After reading it, you can know that this is the final foreshadowing. Agatha has been a neurotic woman from the very first appearance. In the face of the reporters and the cameras, she even posed generously to let the filming take place. contrast. After that, he quickly and efficiently introduced the troubles encountered by the male protagonist in his work, his lover, what he will do, and the temperament of the people around him. The rhythm is fast and not chaotic. The Shepherd's Tavern scene was the place where the first clues emerged, showing the madness and nonsensical humour of London's high-minded people of that era. And a big mention of Liaoning! ! Stupidly playing tricks with big eyes and then being knocked out for money, it's a real fool and a lot of money. Then there is the key person who buys the horse-the drunk major, who is also the key person who makes the male protagonist play around. And when Adam found out that the major was missing, everyone's reaction made me take this film seriously.
The rhythm of this film is really excellent, most of which are fast and revealing madness. Whether it is those young people in the upper class or the old ladies and gentlemen, they are hypocritical, exaggerated, pretentious and crazy, and it is a farce. people are in a good mood. Among them, the "chat boxes" who are stealing rats may be regarded as mirrors, reflecting this absurd upper-class world, and they are fighters who punish the ink. Among them, the beautiful poor Lord Simon, who was dissatisfied, appeared. Yimei's plasticity is very high, he will make himself extravagant when he needs it, but the grassroots comrades who are close to the people can also come at their fingertips, and here too, "True Love Kiss" and even "Band of Brothers" are all, pitiful staring Hidden eyes of the sea. In this film, he is a real existence who looks up at the protagonists from the bottom level (the protagonist is a real existence as a head-up perspective). After publishing the crazy article, he shrunk under the table to reveal a small neck, and then the picture turned to the wall, and the pictures, Nina's, the party, accompanied him with a strange cough, and finally landed on the In the pictures of the young and tender youth, I didn't realize that this was his final ending. His remarks seem to have been confirmed in the end, in this crazy society people paralyze themselves with various parties and pretend to be depraved in music until death.
Aside from Yimei, Teacher Xin really surprised me a bit. Originally, I didn't know how to get him when I saw the good omens. This is really amazing. A playboy, arrogant and kind comrade, was forced to accept a cruel growth ceremony and leave, wearing sunglasses to cover up the pain in his eyes. There is a feeling of pain in youth literature. Mr. Xin's appearance is a demon rather than a mother, and I like it very much. That kind of exaggerated expression and twisted little movements are very well handled.
The tragic core of the second half finally emerges gradually, the glitz will not always be there, it will always return to reality. I really liked the part of the party with Agatha in the neurological hospital at the end, the light crossing on everyone, on the spinning record, on Agatha's happy swinging arm, pure happiness, but it also seems to be about to evaporate The bubble is as ethereal. Although cruel, the male and female protagonists in the film are HE after all. The 3W05 who has been turning back and forth for a long time finally returned to his beloved wife and children. After that, he returned to the reality of firewood, rice, oil and salt, away from the hustle and bustle of youth. Maybe Agatha's ending is also good, she will stay in that crazy time forever and will never return to reality.
It feels a bit like "Moulin Rouge" in some places to me, but it seems to have more to say than its pure love core, the aristocrats under attack, the hypocritical bureaucracy, and even the obscureness of homosexuality. Expressions are like wearing a laughter mask to hide a face full of tears, which makes people sad.
It's one of my favorite films, and I'm glad I didn't miss it.
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