SIFF22 is bright. Suleiman used his eyebrows to look at this absurd world. The police force of various countries is not the worst, only the worst. The melody of the West Asian soundtrack is unique and pleasant, and the ultimate composition is both aesthetic and comedic. Neighbors who are enthusiastic about planting trees, bullying and fearing the tough; Michelin three-star beggar rescue, cleaner Tiger Woods, horse team scavenger truck; old beauty carrying a big gun and so on are all hilarious. However, I didn't understand more of the parts, and they must be all fables: the opening church scene, the soldiers driving with sunglasses, the bumpy plane over Greece, the flowers on the towed car and the bottom of the car, the Japanese men and women who pulled their suitcases to identify the wrong person, the security belts Uncle Gloves, as well as the cactus that echoes before and after and the pious woman carrying water (homeland feelings?). The second half is a bit strenuous, and the disco at the end is inexplicable, but this film is both lighthearted and ponderable, and the more I think about it, the more interesting it becomes.
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