The way to forget lies in the arrogance in pleasure, in the anxious ups and downs in the lustful rain, and in the burning of despair and loneliness in the mind.
The camera points to peeping, to the true face of life, hands, serpent-like wandering, escaping from restraint to completeness, and attracting streams among the lush meadows.
Under the force of the flash, her eyes are blurred, her body is gorgeous, AV is a way for Japanese men to relieve stress. In the overwhelming sky, she is her, she is not her... The
sound and color have rescued countless timid souls, crawling slowly in the sight and sound Going to the top, sinking into the boundless sea of desire, this is the story of the man himself, and the same story of the women in the boudoir, because of nature.
Troubles are often not open to familiarity, so erotic affairs become a seal in the winding telephone line, and she absorbs your desires and remnants with her full tolerance.
The rise of the chant reflects the director's endless regret for the human world. "Snake in June" is a totem that needs no explanation, the unity of yin and yang.
The rain was falling, and the snail slowly crawled in the reinforced concrete jungle, looking for the smoothness and the traces that could not be removed.
Women and men, who needs redemption more, after the cold data of "Haiteng's Report", I see that both ends of the wall are people who are eager to complete the process of dissolution in the self-imagination space.
Listening, being indifferent; smiling, just a program of alienation, a world of the other and a way to escape.
On the phone, it is no longer objective in this world. There is a covering and identification between creating and being created. The child on the phone, in the rain in June, uses a letter V to confirm the absurdity of the other's story and identification. .
This is what we see, this is Lunzi's work, in the name of consolation.
Subway, Japan's subway is riddled with harassment, and only a ban can make those stressed men feel throbbing and exciting.
Shinya Tsukamoto predicted this process, a falling process, with an empty shot of rainwater pouring into a manhole.
And the rough image is the real picture of this world. Can the world of two people be changed by a puppy? There is a deep ravine between Lunzi and her husband, and discordant horns grow out of the ordinary life.
In the middle of the night, the lonely or sad night, the chorus is sobbing, the sleeping husband and the sleepless Lunzi, the prints of the water waves on the wall reflect her psychology and physiology, who in the bathtub tells her about her distress and grief. desire.
Humans can become any role in the world of others, but, slowly, only oneself suffers from the long night.
A letter pointing to a secret, an unspeakable secret. Who is to spy on people's secrets from the dark? Who, hiding in the rain, snickered at his masterpiece. The terrified Lunzi and the helpless Lunzi thought to themselves in the rain, and had nowhere to say.
Rain, is the color of the whole season, continuous, letter, pointed sex, also continuous, Lunzi was harassed, because of the words in the other's world, the person used this to coerce Lunzi to wear a miniskirt" Walk" to exchange for negatives.
The photos constantly witness this unspeakable loneliness, calm the uncontrollable commotion in a self-blasphemous way, let the desire to bury the deep valley slowly overflow, let the flower buds sleep in the long night after blooming, and the stream left between the fingers is like the morning dew before dawn Transpiration, however, the annoying photo freezes everything, allowing the dense night to ebb and flow.
A person who is relieved of despair has reasons to do everything. A person who resolves the despair of others cannot end the game, because his world has your confirmation, because his existence has your salvation.
Nightmare buildings, lonely rain, Lunzi's scattered eyes, and manholes filled with rainwater appear alternately, revealing the direction and destiny of life.
At this moment, Lunzi was dislocated to become a dancer on someone else's stage, dancing bleakly in the rhythm of others. A self-blasphemous dance of lamentation.
The wind pierced from under the crotch, and the skin was humiliated in the vagueness, but when walking, the desire was generated in the friction, and it was scattered in the attention. Round and plump.
In the bathroom, invisible eyes swayed her, and Lunzi's lost eyes were full of melancholy, burning desires, smoky caves, and spirit snakes roaming. The exhaust fan rotates slowly, a portrayal of desire.
The film that was brought back comforted Lunzi, and she returned to her nature when she was slack, and her wandering hand slid toward the hinterland again, toward that little indulgence.
In the hymn, the snail with its long tentacles probes into the warm and humid place, to the bottom of the heart.
The postmodern scene is a set of surreal images of the struggle and eventual collapse of voyeurism and desire.
Before the drama ends, it needs a sublime and redemption. Here and now, women are an absolute force, a boat that carries soul and body.
When Lunzi put on the miniskirt again, it was already a kind of detachment and divinity, completely liberating herself and redeeming others in the rain.
Save others,
save yourself; save yourself, save others... Put down the umbrella that covers the rain , remove all attachments, return to Eden in the eyes, return to the natural voice, relieve yourself and let others No regrets. Lunzi decides their future. At this moment, Lunzi, Lunzi's husband and the voyeur have become a whole. Together, they lead to Eden, the other shore where I take the initiative. In the sound of the shutter, Lunzi's naked dance is redeemed. Two men who are struggling with desire have also sublimated themselves. She balances the whole structure and converts them to herself, and in the chant, Tsukamoto also informs the voyeur of his return journey with two pictures of different figures in the same scene.
Shinya Tsukamoto's images show the helplessness and weakness of real men everywhere, and eulogize women's commitment and humiliation. Only this kind of strength can support men's sturdiness. Only with their support and dedication can men recover, only It will rekindle the tension of life.
After a long period of collapse, we need their June dance to take us out of Eden and enjoy the blending of life between nature and heaven and earth.
We are destined to go, but are we saving others through ourselves? This is divine power, a re-creation of a state, this is where women are better than men, and this is determined by the power of motherhood. This is the last refuge and paradise of mankind. Women show a positive and progressive attitude to life and through them save men who are twisted and hopeless.
They let us enjoy the love of the Son of Man, and enjoy the tingling joy into one
at least, people in the world, with the ups and downs of passion, full of possible future, let us work!
OSAMA KAVKALU at Pudong Jackdaw Jingshe in the midst of the white dew day in the blue sky on
Monday, September 8, 2003 at 20:57
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