Sister Sofang 1950, Kinyo Tanaka, Tomojo
Kobayakawa Family Autumn 1961, Setsuko Hara, Haruko Sugimura, Tomojo
Ozu The two works of Yasujiro Ozu are somewhat similar , they all focus on the theme of sisterhood. The Zongfang sisters are unmarried sisters, one is trendy and the other is classic. In the autumn of the Xiaobayakawa family, they became three sisters, one unmarried, one married, and one deceased husband. Among the
Zongfang sisters, the sisters After accompanying the father who had cancer to the temple for the last time, the father and daughter recalled "the toon tree flower fell on the moss", the father said to the daughter, "I thought I would never see such a beautiful toon tree flower again in this life", In such a situation, only Ozu can photograph the depths of my soul that are hard to reach, and scratched as if he had caught something nameless. The
sisters argued, and the sister said, "What you like is the temple as old-fashioned as it is things, my sister and I are so different", the sister said, "you like those fashionable fashions, this year this year, the next year, it must be good? After a few decades, do you still remember them? Does it have to be outdated?" The
autumn of the Kobayakawa family is completely an aesthetic demonstration of classical Japanese women. Where can you find such an elegant woman in Japan today? Kataohara Setsuko and Shi Yezi had a conversation at the lakeside, and talked about the beauty They all squatted down, one was wearing a dress, the other was wearing a kimono. This posture is a bit similar to the DVD cover below, but the way of shooting the scene is completely different. Yasujiro Ozu used a rare view of the two from a high position. Aerial shot (I found a screenshot and put it below, we know that 90% of Ozu lenses are of course fixed height cameras), there is no reason to be one of the Ozu lenses that I am deeply impressed by, the taste of saury There is also a similar scene in the movie that I can't forget. After my daughter got married, the camera sighed silently at the empty room....
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