How many Mozart are there in the minds of a hundred people?

Adrien 2022-03-15 09:01:01

From the 25th day of Herr Mozart’s 250th birthday, I have specially arranged for myself to read his letters and select "Self-Portrait and Confession" and Amadeus directed by Milos Forman. I also harvested the K488 A major piano played by Horowitz that I am most interested in. The sonata is really a very honorable gift for myself in the New Year.


Yes, because he was too favored by God, he inevitably angered people, especially the music starry sky that was eclipsed by him in his contemporaries.
Yes, he often speaks badly and is so arrogant that it is unbearable.

So they said, God chose him, must be an accident, it better be.

But Mozart, this creature who had to eat the fireworks in the world, can convey the glory of God, but it is difficult to understand the haze of the world. Like this, many of our human geniuses sometimes have to confide their hardest words to the rich who do not have musical ears for their livelihoods.

The strange causal relationship between Salier and Mozart and Mozart’s 32 years after his death became a clue to Amadeus’ efforts to smudge and fictionalize the film. In this tone of admiration and jealousy of Salier, we see a domineering young man, through whom God sings. This Mozart, who makes trembling and weird laughs from time to time, almost became a clown in the first half of the film. This is something I can’t bear, because even though he is so talented, his father often didn’t read him more. The book made him show off like a circus show (but it is undeniable that anyone should thank him for not burying his son's talent), but Mozart is not so keen to show off extra skills, on the contrary, He contemptuously showed off his juggling tricks for no reason. He prefers to be a composer, but as a piano player, after his fluent sight-reading and incomparable talent in notation, he respects the music and respects the simplicity of the illusion, and earnestly practice the technique--even if he I also like the luxurious beauty of Rococo (genius is always a contradictory complex).

There may be a thousand Mozart in the eyes of a hundred people, or more, or only that one we thought. Words became superfluous in an instant. The rhythm of the film gradually changed from a distorted weird to a sympathetic portrayal, and I looked at a genius with eyesight. The downfall and misfortune of the genius flashed through his mind that this was the destiny to which the genius originally belonged. In addition, the above-mentioned letters and the movie have many contradictory effects, and the result ended in a chaotic mood, and it has not been relieved up to now.

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Extended Reading

Amadeus quotes

  • Wolfgang Amadeus Mozart: Why must I submit samples of my work to some stupid committee just to teach a thirteen-year-old girl?

    Count Von Strack: Because His Majesty wishes it.

    Wolfgang Amadeus Mozart: Is the emperor angry with me?

    Count Von Strack: Quite the contrary.

    Wolfgang Amadeus Mozart: Then why doesn't he simply appoint me to the post?

    Count Von Strack: Mozart, you are not the *only* composer in Vienna.

    Wolfgang Amadeus Mozart: No, but I'm the best!

  • Wolfgang Amadeus Mozart: [of his great opera "Figaro"] Nine performances! Nine, that's all it's had! And withdrawn!

    Antonio Salieri: I know, I know, it's outrageous. Still, if the public doesn't like one's work, one has to accept the fact gracefully.

    Wolfgang Amadeus Mozart: But what is it that they don't like?

    Antonio Salieri: I can speak for the Emperor. You make too many demands on the royal ear. The poor man can't concentrate for more than an hour... you gave him four.

    Wolfgang Amadeus Mozart: What did you think of it yourself? Did you like it at all?

    Antonio Salieri: I thought it was marvelous.

    Wolfgang Amadeus Mozart: Of course! It's the best opera yet written, I know it... why didn't they come?

    Antonio Salieri: I think you overestimate our dear Viennese, my friend. You know you didn't even give them a good *bang* at the end of songs, to let them know when to clap?

    Wolfgang Amadeus Mozart: I know, I know... maybe you should give me some lessons in that.