I really admire Peter Jackson's words,-There are no bad guys in this film. The truth is that the director Carl was driven by the heart demon and was bold enough. I have never had a bad feeling for brave people, because at least it shows that he has a strong sense of fantasy and self-confidence. Therefore, this is a typical view of tragedy in Western literature and art, a tragedy that fights against destiny, not against evil forces.
In addition, the film’s handling of Ann and King Kong is not like the relationship between Jessica Lange and King Kong in the 76 version. The relationship between Jessica Lange and King Kong is full of "Lawrence" fantasy. Therefore, I actually don’t agree with the last line of the film that looks like a sublimation line-King Kong is defeated. Beautiful, but I feel that King Kong was defeated by loneliness. I thought there was another failure. After King Kong's death, a citizen seemed to mention it-why didn't it run, but climbed to the top? It should know that it is easier to die. Is the finishing touch of the movie to remind the audience that King Kong is trying to rise to a level through self-sacrifice? nerve.
However, the last 20 minutes of the movie is a too painful process, because it is basically waiting for King Kong's death, a large group of people collectively appreciate a valuable thing in the cinema to be "delayed" and destroyed.
After that, I discussed Ann's "aphasia" phenomenon with WB. In the film, the beauty Ann screamed and shed tears. Even if she wanted to save King Kong, she basically had no language to communicate with humans. I would like to remind you that at the very beginning of the film, it was repeatedly emphasized that Ann’s relatives left Ann and said "God always takes what you want to win"; "Everything will be lost, including happiness." This is Ann faced what the director Carl said; in order to achieve her goal, Carl said, "You are the saddest girl I have ever seen." Therefore, Ann's "aphasia" has been laid, and she probably has no way of treating humans. There is trust.
In short, I don't like that playwright very much. In front of King Kong, whose emotions and ways are straightforward, he is almost like a delicate, sentimental and sticky soft bread. However, this may have something to do with my dislike of male youth. I think the captain and little Jill are good, although their fate has been rashly ignored.
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