The first French movie I watched after returning to China for a long time was Welcome to the North II.
The movie was full of publicity stunts. It was released on Mother's Day, and the commercial slogans were "The day you go home is your mother's Mother's Day." I cried."
But every slogan failed to arouse my strong touch and resonance.
The movie attendance rate was very low. The little friend who accompanied me to the movie did not understand French, and could not understand the accent stalks. They thought the movie was not very good.
Et bah voilà. Herein lies the problem.
A good movie should not rely on the use of a single language meme to support the whole of the movie's amusing. Why say all, because the content of frequent verbal battles is not very interesting. As for the fights, although the bickering between the members of SilverGuard II is mixed, I personally tend to think that the comedy effect caused by SilverGuard II is much better than Welcome II.
Compared with the emotional line of maternal love, the husband and wife line makes me feel more.
I appreciate the relationship between Constance and Valentin, or rather, Constance's unilateral efforts for Valentin.
Before the fantasy episode of Valentin's amnesia, their love was like a model of worship with a layer of upper-class cladding, and the play called them the couple of the year twice.
Standard Parisian accent, perfect standing and sitting, excellent social etiquette, no swear words, no vulgarity. After the car accident turned, Valentin magically returned to the seventeen-year-old period when he could only communicate in the northern dialect that he could not understand. His behavior and habit, to accepting his status quo, to listening to the voices sent by the northerners over and over again, to learning the harsh northern dialect, and imitating Valentin's vulgar way of speaking... This clip seems to see the self who had been struggling to get close to his feelings.
The hardworking Constance is really cute. She is mature, wise, and talented, and she is not willing to be Valentin's vassal. She accepts all Valentin's appearance, and is willing to adjust her pace to cooperate with him and accompany him to heal without losing her independent personality. Heal the body and heal the heart.
"I never felt like we were this close," Constance said while kissing and having sex with post-amnesia Valentin.
Fading off the pompousness, throwing away the elegance of the upper class, and removing the mask when facing the society, the relationship between lovers should be honest and comfortable.
True love is probably about abandoning any external form, she loves and is willing to follow the most real you.
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