This is a story that is always warm, but messy and fragmented. Chen Kaige is trying to pull out the tension, which makes me uncomfortable and always has a strange taste. If you don't create conflict so deliberately, the sense of abruptness will probably be much better. Not only is the conflict deliberate, but the director also deliberately keeps it beautiful and doesn't let it shatter. For example, when Chen Hong borrowed money according to the phone number on the mirror, I, a pseudo-warmthist, couldn't stand it anymore. It was conceivable that the evil was strangled in the cradle without appearing... Maybe this has something to do with the theme of music. Well, it's kind of weird though.
I like the little boy, the 13-year-old boy, those eyes. Both Liu Peiqi and Wang Zhiwen performed very well; this is the first time I've watched Chen Hong's film, it's a bit old, but it's okay. Chen Kaige, on the other hand, bored me very much, with a pretense and pretentiousness.
I watch movies, and there is a very bad thing: I always watch too late and too little, I always hear about it first, or even hear a lot before watching it. So when I watch it, I always unconsciously compare it with what I've heard, which is really annoying. This time it's okay, my vague impression about this movie is almost completely wrong, it's not like that at all, God knows where I see it...
Well, at the last station scene, I thought that the boy wanted to Playing the violin in the middle of that hall, that's really cool...
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