One point will be deducted from the heroine for being too loud. Wouldn't it be better to be a little quieter?
I would like to comment more on another key person photographer pablo. In all critical moments, the camera will not be lost to save life, after all, if the camera is lost, the entire film will not be watched. So Pablo is simply the core hero of this film. In order to present a "complete" film, he "endures" and does not die. Even if the zombies come to bite me at any time, I can't leave the camera to defend myself, I almost jump out and shout at the camera. "Fuck the zombies, I have to stick to my post!". It's a pity that the whole film did not give Pablo a chance to show his face.
As a viewer, I have always been trapped in this kind of logical myth. While watching the film, I kept thinking, "Why didn't you throw the camera and replace it with a hammer?" ". However, the amazing thing is that Pablo, as the most limited member of the entire zombie confrontation team, actually lived to the end. pablo is great.
The photography method of the pseudo-documentary gives pablo the role of double space: inside and outside the screen. This is an impossible state. The effect is that while simulating realism, it also fills in a lot of inconsistency. The pain is right here.
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