Totally disagree with a comment. In film and television works, I think most people are not used to "beautiful whitewashing", and even prefer the tragedy of human failure and destruction. Obviously this film and "The Forge" are pretty good works, but the reason for this preference is not just the core of its "hope". The melting pot is a discussion of right and wrong. The children are hopelessly innocent, the teachers are pitiful, and the principal dies 10,000 times is not enough. But in "One Day", the two children started stealing things and did not understand their mother; the kind female teacher, like the principal, deleted her brother's slap in a rage; the uncle who wanted to take care of the brothers gave them up halfway. ...even as the comments say, some people's scales, while leaning towards sympathy for children, still see them as lacking in discipline, and corporal punishment and strict discipline are indispensable. It is not difficult to understand why people like Yang Yongxin are still alive. Simple evil is evil, but stupidity is a kind of evil, and this kind of evil still exists widely in this society, much more common than simple evil. Even if the principal of the melting pot can't be punished by the law, he has the right to make a judgment, but perhaps what is really scary is that there are still people who can't make a clear judgment.
Also, I really like the title of this movie. One day, one day, the dream of my brother will come true, someone will wait for the moon, and one day the struggle will find a way out, although it has paid a great price. But at the same time, the words "one day" contain some weak grief. "One day I will become very powerful, one day I will make a fortune", the hope of human beings sometimes seems pitiful. This seemingly happy ending still feels to me a deep, empty sadness, like the last line of Border Town, "Maybe he'll never come, maybe he'll come tomorrow." The degraded treatment of grief may be more in line with my aesthetic taste, "In the process of a passion, there is nothing more incapable of showing this benefit than its apex. At the apex, the end is reached, and the eye cannot be directed any further. When you look at it, your imagination binds your wings..." On the contrary, after it has been diluted, it has a long history.
PPS, I have seen three tragic and romantic fantasies recently. One was when Zhang Chi drove into the cliff in "Flying Life" and felt like he was flying, and the other was in "The End of the Road" when Louis and Elsa rushed into the canyon and saw a wider view life, and here my brother jumped off a building and felt like he was flying into space. It's obviously the best ending, why is it so embarrassing?
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