The thickness of life determines a person's vision. In the dazzling world, people are too easy to be identical, and the only thing lacking is themselves.
At the moment, pasting is a quick way to create, as is the case with novels, and unfortunately so too with movies!
- Kafka Lu (KavkaLu)
Perhaps, in a lifetime, he will experience a lot of love between men and women, but. What can be kept in the heart for a long time is probably the pureness of first love.
On rainy nights, there are strong winds; music, through the rain, questions and answers, is the transmission of heart words, sneaking into the hearts of the two children in your young rainy nights.
I believe that everyone has a landscape of their own in their hearts. It has a blue color that reminds you of the light of hope during your long journey into the dark night.
There will always be tears on the cheeks of youth. A girl's tears will be remembered by a boy who loves her for a lifetime. In fact, love is the pain of the soul, because memories are like tapes that can stay in that wound again and again in the
night wind, and the heart trembles slightly. . An old cassette will recall your memory and make you feel the past time again.
That cassette is an entrance to a dream. Listening becomes the way to return. When a person's memory is awakened, you cannot stop thinking. Go back, when the night rain is coming.
Ritsuko, Sutaro's girlfriend, ran away because of the memory, because of the remnants of all the memories that the cassette brought her.
Similarly, Sutaro was also awakened on such a stormy night, and the footsteps of reality caught up with the long-forgotten yesterday, running towards the direction of the light, towards the memory in his heart that was concealed by a smile.
Memory, will not forget the pure color, when your slightly hot body clings to his back, in the wind, where does your motorcycle take her?
On the blue seaside, Aki and Sutaro faced each other in the sunset once in his heart. No heart can forget the love in his heart. It is with you like a shadow, and silence will be its most perfect expression. .
The lights of the heart flicker, and the streets of the past also have such light, and the children's heart world is full of persistent courage.
Listening to the same song under the same starlight, seeking the answer of my heart, recording my own heart on the cassette, those timid words grow wings of love in the night.
The cassette is the voice of the heart, and the cassette allows the voice of the heart to be passed on to the person you miss.
Waiting for your answer, waiting for a tacit smile to bloom on your face, the warm sunshine wraps the two young children, and the warmth in the sight fills the whole world.
You return in the season of falling leaves, but there are only your figure and her voice on the steps of the past, and you can no longer find the right of the world, only the world in your mind is full of your face.
As an image art, film should let the image speak for itself, so when Sutaro came to Shikoku, the director reflected his psychology with a cyan-blue polarized light. The warm color of the past and the cool color of the present have a great contrast of tones. There is a gap between the ideal world and the real world. Moreover, the overhead shot made Sutaro look particularly lonely.
I can't help but think of the "Qingqing Coral Island" relative to the island. Maybe, they are purely similar, maybe the expressions of youth are similar, and it is more passion and joy rather than distractions. It is fair to say that Xue Dingxun is not as good as Iwai Shunji in terms of character psychology and behavior when dealing with these youthful scenes. Of course, Iwai Shunji's photographer Shinoda Shinoda has made a lot of efforts to create emotions. The dialogue between Aki and Sutaro sitting on the window sill of an empty house on a deserted island is pure in the novel. The ideal Plato makes everything no longer. A pure mind recalls the simplicity of the past. The decaying empty house must point to a metaphor, the pattern fixed by such novels, as if love can be eternal only through death, leukemia has become a way to seek tears, the dramatic excess is the characteristic of Japanese youth films, and there is a kind of embarrassment of poor skills.
The name graffiti on the window, Aji's white clothes, these familiar signs have become inevitable sensational tools, and the movie is a bit numb. In particular, the shot of Sutaro following Yaji running wildly is very artificial.
The topic of Romeo and Juliet is just to confirm the background. In fact, this reference hinders the rhythm of the narrative and makes the audience suddenly understand the inevitability of clichés. The flashbacks and memories of the past in the gymnasium are also the climax caused by the urgency of the narrative, the climax that the audience must think of, deliberately and rigidly.
The expansion of tragic psychology is the preference of the Japanese. Therefore, rain must fall in a cliché, and tears must flow in a cliché. The problem of the director or the novel itself makes the plastic Taro who called his partner become artificial.
Maybe it's human greed that makes people's eyes fill with tears. Having today is the joy God gave you, but tomorrow is a treasure in the dark night. You can be content and happy. Every hug should be regarded as a signal to treat others. , the warmth of memory makes the loneliness after that have a dream in the image.
Sensationalism is the characteristic of youth films. When Aki and Sutaro, who had undergone chemotherapy, faced each other across the ward glass, I once again saw the danger of the inherent model. The thickness of life determines a person's vision. In the dazzling world, people are too easy to be identical, and the only thing lacking is themselves. So, when Sutaro took the marriage application and showed it to Aki in the ward, I was no longer moved.
The proliferation of innocent novels is because people living in the post-industrial age are no longer pure. They try to create such a scene to prove that their past also has a pure world. Unfortunately, the spiritual home has already been overturned, and the spirit has nothing but dreamland. . Therefore, that kind of great sadness and great joy is easier for people to enter the prescribed scene. This tendency has been criticized at the beginning of Lou Ye's "Suzhou River".
In order to realize their dreams, they met, and the wind and rain increased the difficulty of this possibility and maximized the sadness.
The scene at the airport is the need to create an orgasm. Although I can understand the girl's last wish, I will never take a weak girl to realize the so-called dream in such a pouring rain. This is another kind of murder, a kind of murder. an irresponsible impulse.
Therefore, Sutaro should be responsible for Aki's death. Such a movie has a very bad negative impact on young people. Any premise setting should be based on the safety of life. I was also young, but I have always understood that the meaning of love is devotion, and devotion contains rational restraint on self-emotions.
A red umbrella flew to the sky in the rain, and the tape in the little sister's hand dropped, I think all the audience will have the same psychological ending.
Every man will never forget her in his heart. If he forgets, then she is not in your heart. "No one can win the race against time, and no one can lose the love they have given." Therefore, Sutaro's tears are not worthy of sympathy in the rain.
The exaggeration of going to Australia to scatter ashes is an inner regret, not an external one. When you had a partner by your side, please understand that her rationality and tolerance were all due to the misery of loving you. For a man, Such a move is cruel and injects the bitter water of tomorrow into her smiling face! So, in the face of your own past, silence is golden.
Another line in the film is the love story between the grandfather who opened the photo studio and the principal of the Sutaro school, a sad love affair with persistent beliefs. This is for the director to correspond to the story of Sotaro.
Such a seemingly tragic movie is actually a pile of similarities. For me, I don't feel it. Because I haven't read the novel in its entirety, I can't judge. However, as far as the movie is concerned, it is too artificial, and the excessive expressions and shouting of the two young actors weakened Given the bleak atmosphere that this type of film needs, frankly speaking, I still like Shunji Iwai's sadness and purity.
Although director Xue Dingxun once served as the assistant director of Shunji Iwai, in terms of techniques and emotions, he wants to There is still too much to learn, too much.
【Appendix: Video Information】
"Crying Out Love In the Center of the World"
Japan 2004
Director: Yukisada Isao
Starring : Takao Ozawa, Yuki Shibazaki, Miku Moriyama, Masami Nagasawa
, Ken Hirai Length: 138 minutes
Fri Jan 21, 2005
16:18 Independent Film Critic: Osama KavkaLu
This article first appeared on NetEase
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