When we put the time into the watch, it is like capturing the spirit of the universe and putting it into a glass jar. It is like a process of turning perception into representation, which is the joy of capturing the unknown. Flesh and Spirit, I guess the original inspiration for this movie came from dreams and reality. A world in a dream, a world in reality, the dream spills out a little bit, breaking the barriers and becoming a parallel memory that has nothing to do with real life, it is the proof that everything has cracks, that is where the light comes in. In Maria's own eyes, she is a child from beginning to end. Except for Endre, the only role that has something to do with her is her psychiatrist, but she is a child psychiatrist. She puts the curiosity and seriousness of exclusive children into the The body of an adult appears paranoid and lonely, which is the dislocation of flesh and spirit. The character of Endre is an ordinary middle-aged man with no outstanding characteristics. He has a disability on his hand, which is something he cares about and is sensitive to, a physical gap, and the most conflicting part of him. Coincidentally, , maybe the gap between the two is just complementary, and the souls penetrate each other in the dream, overflowing with light, and the sense of fate constructed by this story is very romantic. This relationship started from a dream, in which I became a deer and met another deer, until I found that the other party had the same dream as me, and the partner in the dream was the other party. There are many ways to meet, but they chose the most looming one. As a love movie, its romance may come from this concept. But it's a pity, in retrospect, the movie doesn't move people. The sense of fate is also equal to the purpose, and the purpose is too strong, which will make many processes lose their meaning. After going through confession, refusal, suicide, and three toss, the two finally had sex, but the other day, they never met in a dream again. Maria and Endre are together, the movie is over, as if that's the ultimate meaning it's trying to convey, and the ending destroys all the suspense, and it feels like the spirit should just give in to reality. Finally, I would like to talk about the setting of the movie. It is similar to the meat processing factory in the slaughterhouse. The animals inside have eyes like people. The moment before the cow was cut off, from its eyes, it seems that you can see To the trapped spirit inside, until the blood is drained, the mechanical slaughter is not over. It just so happened that Maria had a pair of deer eyes. From time to time, Muna was always vigilant. She was lying in the bathtub ready to drain her blood. This scene was very similar to a slaughterhouse, and it seemed to be another kind of dislocation.
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