classic work

Vaughn 2022-03-15 09:01:01

[Director] "Picture of Refugees", New York version at the end of the 19th century, vivid and three-dimensional. Macro scenes, group dramas throughout, lots of long shots. This does not mean the lack of details. The characters and their stories are delicate and complete, but those are only used as guides to make a perfect journey through time and space. This is a wise and brave director. [Actor] Leonardo's eyes are easy to have content, easy to be deep, and the 26-year-old hasn't moved freely. The martial arts is ugly, the limbs are not coordinated? Cameron Diaz's costume is very beautiful and classic. Daniel Day Lewis has been dormant for five years. Every cell is focused on the performance. He is the brutal but not cold-blooded but passionate butcher cutting. [Classic plot] 1. All long shots. For example, the Irish who disembarked from the ship were drafted into the army and then boarded another ship, while the next ship was transporting coffins to the dock. 2. The emotional line between L and C.

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Extended Reading
  • Alex 2021-10-20 19:00:40

    Xiao Li's works during the transition period began to cooperate endlessly with Martin + Chongao. . Because I was in New York, I felt a sense of scene at the end. The history of New York is reproduced in the form of gangster movies, but the story is a little scattered (it is always the case...), but Dan Dai Liu + Xiao Li are both good, all big names. . The chopper parties are really cruel. The ending song is nice

  • Beaulah 2022-03-25 09:01:05

    After reading Linda’s book describing the American Civil War and the Black Liberation Movement, I felt a little bit about the description of this film. I found that Linda’s description was still too positive. The society at that time must have been extremely turbulent, just like this movie portrayed Same. But the first half of the film was really brilliant, but the more it became more incomprehensible later, it’s a pity

Gangs of New York quotes

  • [speaking of Bill the Butcher]

    Jenny: When I was twelve years old, my mother was dead, and I was livin' in a doorway. He took me in. Took care of me, in his way. After they cut out the baby... well, he doesn't fancy girls that's scarred up. But you might as well know in your own mind that he never laid a hand on me until I asked him to.

  • [as a man is about to be hung]

    Bill: That's a fine locket. I'll give you a dollar for it.

    Arthur: It was me mother's...

    Bill: Dollar and a half?

    Arthur: Done.