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The accident of Xingxing involves two typical Chinese families. The Liu family lived in a daze after being beaten by grief, and the Shen family lived in the shadow of guilt.
The source of the tragedy that caused the middle-aged to lose his son and the white-haired man to send the black-haired man was Wang Jingchun angrily smashing the walls of the department, and there were publicity notices on family planning. In the past, the first child was strictly controlled, but now the second child is released, and the third or multiple births are encouraged in the future...
This generation, a whole three, four or five generations, still has to live in a plan and a system. The planned economy, the three-year five-year plan, the great rejuvenation plan... When these plans were stated, people existed as a mediocre crowd, led and driven by the collective. Individuals are allowed to be dissatisfied, they can groan, the system will have faults, negligence, and accidental loosening, but in general, it is very advanced, and there is nothing wrong with it.
Individuals must understand the general situation and take into account the overall situation. There is bitterness, swallow it in the stomach.
In the end, "Long Time" has become a desire to sue but can't, want to sue but can't get it——
We have money, which is good.
It's nice to have old friends together again.
Haohao confided and was forgiven, which was fine.
The star by the sea came home and brought his girlfriend, which is very good.
Can the pain of twenty or thirty years be summed up in a good way?
Such a tone, obviously even the creator will not be satisfied. As a mourning film, at the end of the corridor of Tongzilou in "Long Time" is still the trilogy leading to the conjuring of souls (the three-line trilogy of "Qinghong", "Me 11" and "Intruder"). That is Wang Xiaoshuai's smuggling of illicit goods, a common complaint, called a long time and a long time, but the policy changes that have been changed over and over again are the magical eternity - that is, the dance between today and tomorrow will be a different dance; today and tomorrow All hold a bowl and lift your table at any time; even the song "Long Time" is also a portrayal of the tragic fate of the educated youth returning to the city.
These alone are not the reason why "Long Time" made a lot of tears in Berlin. Good people are not safe, and the parents and protagonists are suffering. Wang Xiaoshuai feels that the Chinese people and themselves are suffering, which seems to be the source of praise. The accident of Xingxing is that people cannot be resurrected from the dead, but in the case that the Shen family has already apologized to the Liu family, the film still cannot find a way to relieve the stagnation: they can only stay away from the Baotou of the acquaintance's small society, and exile themselves to an unfamiliar island—— No matter Hainan Island or the small island of Fuzhou.
I heard Xiao Ran weeping in different places. For me, the only impact point of the whole film was when Wang Jingchun and Yong Mei went to visit their son's grave. Although the cemetery was surrounded by weeds, the family finally seemed to be in order.
Two are on the ground and one is in the soil.
I have almost no resistance to such a display of life and death. Whether it happened in "The Big Three", which was suspected of being posed for filming, or "Four Springs", which lost a loved one.
Only when they are big enough to live and die, hear the tragedy of the family who lost their only child, make a fucking 360-degree turn when they find out the policy, and realize that they have been deceived and deceived again and again, will many children in the republic believe that they were chosen and planned. Only by being surrounded by sand-colored cemeteries can "Long Time" be truly mourning.
Some people will give an example. Qi Xi went to greet Liu's family on New Year's Eve. His house was dark and deserted, while others were warm. The contrast between joy and sorrow, how intense. Also, Du Jiang mustered up his courage and finally confessed his repentance, which was not easy. However, the appearance of Qi Xi and Du Jiang exposes Wang Xiaoshuai and the film's intention of waiting for the opportunity to show mercy and try to summarize the theme. It was so obvious, like a tree that suddenly broke in front of the grave and covered up the grass. Whether Qi Xi is out of sympathy or compassion, or out of uncontrollable love, it is out of place. The only correct one is the ending she arranged for herself.
On the contrary, the cutting method that many people have criticized or questioned, I think it is a bit interesting. For example, he sent his son to death twice, and twice held people and ran wildly for help. Playing games, taking photos together, and cutting Yongmei's admission into Arya's scans showed again and again that the surging tides today were also the backwaters of the reservoir area in the past. Although they are separated, they are still a community. If the story is flat and straightforward, it will only make "Long Time" more like a TV series. Now, it can be omitted and left blank, which is not bad.
The biggest failure came from the reconciliation at the end, and the expected scheming was exhausted. The old couple, who lived for each other, joked on the plane that they were afraid of death. In fact, they no longer needed an apology or reason (that is, they already knew the secret of Xingxing's death).
The movie uses the current handling of flashbacks, jumping in and crossing lines, especially the flashbacks at the end that are a little caught off guard. It seems to be the other way around, whether it is intentional or not, the Liu family is tormenting the Shen family by staying away. But all of this should never have happened, whether it was the Liu family who had no children, or the evil Shen family who created negligence. At the end, there are more lines that make me jump out of the way: like Alia's rich, like Du Jiang's big tree, like a handle when talking on the phone.
It is said that the Berlin version also has an angry beat factory leader, who was counted as an advanced role. Without these things, "Long Time" has slipped into the desire for bitterness——
I hope that my adopted son will come home, so I don't forget to leave a door;
The thought of wishing to have another son, no matter how awkward it is presented;
Hope to keep good memories forever, but in fact it can't...
The difference between the Berlin version and the public version is unavoidable ("Fireworks in the Day" and "Tuina" also have adjustments), but this also affects some lines, such as the public version of Alia on the hospital bed, I think it only needs Three words: I'm sorry.
Finally, the 3-hour film is not necessary, So Long, you can cut it to 2 hours.
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