Always wondered what the 18th century was when men wore sheep-like wigs and ridiculous trousers; women wore slender waists and huge panniers; everyone painted It is comparable to the heavy makeup of a geisha, and it is also compared to the huge aristocratic mole on the corner of the mouth.
Turning a drama between a woman's palace fight into a bizarre author's film, using the same cheap plots, shots, lines, makeup, and performances to produce a sense of absurd high-level European art film, and put this The exaggerated to weird and unique style has penetrated into all aspects of photography, soundtrack, art finger and kimono transformation. There are as many wide-angle and fish-eyes, either looking down or looking up, and rarely looking at the characters. Looking down from the protruding fish eyes, all efforts are full of false show, and all confessions are bizarre lies. The seamless and weird soundtrack matched with the chapter-style beginnings and turns, the wind and string instruments are noisy and indistinct, big beads and small beads fall on the jade plate, and even the grand piano exudes a strong cult style. The three eccentric female protagonists, Coleman is desperate for madness and lack of love, Weisz is fierce and straightforward, desperate for everything, and Stone is desperate for false scheming. Women have many faces, but they are desperate to reflect the sadness of the same destination. Others are hell! In this cruel battle where the first serious one loses, the three of them are nothing more than captive rabbits in the cage of this system. This "The Legend of Zhen Huan" took more than 70 episodes to vaguely explain the clear theme, and Lanthimos did it with three exaggerated characters from a third perspective. One is a fan, and this name is a must-see from now on!
Another: Holt should have been wearing this way long ago. Just imagine who else is more suitable for the sheep rolls and puff sleeves with smeared powder and heavy makeup than him with pink face and red lips? !
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