The style of the film is unified: Shen Qu, silence. The director only restrained the use of brown tones, Ryuichi Sakamoto's soundtrack, small props such as cacti, etc. to add a three-dimensional effect to the original work. Murakami's text basically consists of the characters and narrators
recounting one or two small scenes in the first part. . What an eye-opener this
episode seems to me--how can there be such an idle person in Murakami's story? The storyline is true and accurate, but it's
strange that the unique pressure of the original has disappeared in the video , The movie seems to flatten the story, but the original text is loaded with thickness
( http://ttho.blogspot.com/2005/03/blog-post_27.html )
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