Recently, I have been writing film reviews for old films, not knowing if it was because I missed the bloody and naive self.
It's just that when I revisited the old movies I saw one by one, the feeling is completely different from that of the past. When I saw the Half-Blood Prince for the first time, I gave it five stars, and 90% of it was because of feelings. In the Harry Potter series that have been filmed and released, I actually dislike Hara 6 the most.
How could you like it? The picture is so dark that you can't see the details unless you fill in the light. Draco made some incomprehensible little moves aggrieved all the time. The Death Eaters are close at hand, and the protagonist trio is still in love with each other conscientiously. Hogwarts was beaten by Voldemort throughout the whole process. We look forward to the final Dumbledore's Jedi comeback. Of course, as the original party, we all understand that the ending of the sixth book is like this. Dumbledore must die-but that does not mean us. I hope to see him frankly and unobtrusively like a rag doll, falling off the tower indecently, and not dead like a hero at all.
But the director didn't think so, so he unceremoniously flattened out all the tragedies to us. I remember very clearly that when I was scoring, I hesitated for a long time between three stars, four stars, and five stars. The angry villain and the sentiment villain fought each other in their chests for a long time. Finally, the sentiment villain won.
However, when I pulled this series out and watched it again many years later (perhaps I would watch it many times), the first film I wanted to write was not everyone’s favorite Philosopher’s Stone, not my favorite Prisoner of Azkaban in the early years. But the half-blood prince. This time the five-star is given sincerely, not feelings, nor is it a hypocritical "mature", but should be old-old, you can understand the value of chess players to retreat for advancement.
Harry Potter is an amazing book. Children can watch and see a wonderful fairy tale. You can watch it even if you are not a child. What you see is a more wonderful fairy tale.
When children see dreamy castles, magical worlds and magical creatures, young heroes will surely defeat evil inspirational legends. It's not a child. What I saw was the cracks in the castle that could not be repaired, the life-and-death struggle between bloodlines, love and hatred, confession and ambition, iron bones and submission, sacrifices and sacrifices.
"I saw a mountain of bones at the feet of a fairy tale."
From 1 to 7, Harry Potter has gradually evolved from a beautiful fairy tale to a dark legend. Starting from Harbin 3, the picture of the movie has become darker and darker, and the saturation of the color has dropped again and again. The gentleness of the first and second parts is fleeting, and in every subsequent part, the young protagonist will be severely poured with cold water. In the third part, the protagonist tried to wash away the grievances of Sirius but failed; in the fourth part, Harry failed to save Cedric; in the fifth part, Harry failed to save Sirius; in the sixth part, Harry failed Rescue Dumbledore.
I vaguely remember that starting from the fifth part, many people began to complain that Harry, as a young hero, should be gentle and strong, bold and cautious, why did he become so deadly-irritable, distrustful, self-sufficient?
In fact, it's easy to understand—Harry has never been a young hero. He was born involuntarily, he had no memory when his parents were killed, and it was not his intention to kill Voldemort by a rebound spell. He is just a baby, unfortunately being held into a destiny, he has never been able to choose where he wants to go and what he wants to do. After the short buffer period, he began to lose the most important person to him again.
——He doesn't have much. The malice we have to face is hundreds and thousands of times greater than others. So the only people who gave him love are so important, but they are all taken away by fate without any mercy.
This kind of thing, no matter who it is on, I am afraid it will be difficult to give destiny a good face in this life.
The first four of Harry Potter are considered adventure stories, and each has an adventure theme. Ha 1 protect the Philosopher’s Stone, Ha 2 get the secret room, Ha 3 rescue Sirius, Ha 4 compete for the Goblet of Fire. It’s not an adventure story since Harp 5, Dumbledore’s layout is beginning to take shape, Hart 6 is a link between the past and the next, explaining the purpose and origin of Voldemort, and paving the way for the last one to completely level the devil.
Historically, foreshadowing is the most difficult to shoot. Just like the carpet from the door to the bedroom, too short will look cramped, and too long will drag. Too low-key and dull, too gorgeous but not in line with the tone-Thor 3 was made into a joyous cosmic road film, almost sprayed into a sieve. As the "feelings" of many people in the Harry Potter series, if you dare to shoot with both emotion and literary art, I am afraid it is not as simple as being sprayed into a sieve.
Therefore, Ha 6 chose to go slantingly in the safest field-the teenager has grown up and has reached the age where he can fall in love. "The Sting of Love" gave the story a breathable gap, and let the terrified Malfoy act as the main thread. The "Half-Blood Prince" acted as a buffer, arranging Dumbledore's "task" for Harry, intangible. Voldemort's old bottom was lifted so that there are no panties left-it can be called exquisite. But no matter how sophisticated it is, it is also a foreshadowing, which is destined to come to an abrupt end, with heads and no tails, which is also one of its unpopular crimes. It's a pity that the original works are pressed, and there is no other good way to think of.
We can vaguely find that starting from Harbin 5, the score of the movie begins to drop. In our cognition, or in our expectation, Harry Potter should be a delightful fairy tale. It is a pity that it can occupy a place in the history of literature, and it will be a simple fairy tale that many people will never forget when they grow up.
A beautiful, bright, delicate, simple, carefree childhood will eventually grow up and become an ugly, bleak, rough, complex, and sleepless adult. The world hasn't changed much. It still takes 8 minutes for the sun to hit the surface. The owls still fly around the world, and we still can't wait for our own Hogwarts admission letter. When we wanted to temporarily put aside all the mess in this world and briefly immerse ourselves in the magical world to soothe our nerves, we suddenly discovered that the wonderful magical world was turned into a bird like this by an unfortunate demon. Who could be happy?
However, if you are not happy, you can only accept it. No matter how much we hope, Harry can't kill Voldemort in the sixth. Dumbledore would voluntarily die under Snape's wand. And Harry still didn't understand the sadness of the half-blood prince.
But hope is still there. The wizards raised their wands in front of Dumbledore's body, and the fluorescent light gathered little by little, breaking through Voldemort's black magic mark. The wind and rain are like the faint light in the darkness, like a lonely and decisive thorn in the dying wind and waves. The grievances between childhood and adulthood finally shook hands at this moment.
After all, besides fate, what is irresistible in this life, probably, there is all the hope of refusing to accept fate in the world.
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