The asteroid belt chase is very well designed.
Following the task of finding Skywalker in the first episode, the two robots follow the two lines separately in the second episode. They are responsible for untimely interrupting and providing jokes, reacting as spectators to events, and propagating the danger of the situation as props (3PO is Accidental destruction), to provide auxiliary functions at critical moments, one talks tuberculosis, one can't talk, contrast.
After the intense and fast-paced fierce battle, the rhythm slowed down. This paragraph began to adopt three cross-editing lines: gradually reveal the true face of the villain under the mask, Luke learned from the Jedi teacher The Force, the princess and Han's love scene, in order to continue to attract The audience's attention. However, the transition at that time was really blunt, and the movie really continued to improve.
When the strongest Jedi instructor appeared on the stage, he appeared as a greedy troublemaker, and the contrast was big.
To become a Jedi Knight, Luke needs to overcome his lack of patience and the dark side of belligerence.
The emotional drama does not have to be gathered together, but also added to the protagonist, and can be added to the partner.
The climax scene is also divided into two lines, but converged in one scene: the princess and the partner fight against the bounty hunter to save the Han, Luke and the villain face each other alone and face their own inner choices-the villain is his father (this setting should also be borrowed) Mythical story, right? It's still a powerful reversal), whether he should choose the dark force. (Tucao why is Luke's face so distorted in the second part...)
There is still a foreshadowing at the end, and the third part is sure-whether they can rescue Han from the bounty hunter, and what Luke will choose if Luke and his villain father meet again.
The script is exquisite, but it is a commercial movie after all, so I am not very involved in the drama.
However, may the force be with you.
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