"Rear Window" has an open peeping. Journalists who are recovering from injuries at home can only kill their boring time by observing the actions of their neighbors. Looking at the suspense film in 1954 now, the story is definitely not as attractive as it was then. It is more like looking through a classic textbook. The angle of the lens, the use of light and shadow, the setting of suspense points and the prying into human nature are all deep. Affected the movies after it. Hitchcock took a bold look at the dark side of human nature, and cleverly connected a peeping with a murder, ironically allowing the male protagonist to redeem his love. 8 points. ps: The whole film is from the perspective of the male protagonist. The audience's information is the same as that of the male protagonist, but only when the slain hostess's stand-in leaves the apartment, it becomes a third-party perspective of God.
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