The originator of the double division

Shakira 2022-03-22 09:01:02

I saw this work in the film and television appreciation class. I generally don't like watching this kind of film. It's too frightening to watch it alone. I heard that many people don't dare to take a bath after seeing it.

This movie is a black-and-white movie. The heroine was killed and thrown away within ten minutes of the opening. The rest of the story revolves around the event of finding the heroine. You must be sure that the hero Perkins's acting skills are truly amazing. , The last ten minutes of the performance is a magical touch. It has been half a year since I saw the hero’s eyes. It’s a pity that I didn’t nominate the Oscar back then. It can be said to be the Oscar bead. The shooting technique of the heroine being killed by the hero is a classic, and every water mark is clearly and unmistakably photogenic as if looking directly at the naked eye. In the end, I didn't understand whether the personality of the mother killed the heroine or the personality of the son. Each shot has a deep meaning, and it is worthy of Hitchcock's work. The bold can take a closer look.

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Extended Reading
  • Hollis 2022-03-23 09:01:02

    It should be the best work of Fatty Xi's life: when Marion drove in the rain, the voice-over and the sound of the rain combined perfectly, and the scene of the murder in the bathroom was a groundbreaking feat! In the end, the horror smile of the hero and the scene of the skeleton superimposed on top of each other made the horror even more terrifying.

  • Rylan 2022-03-25 09:01:01

    "He was never a complete Norman, but he was always a complete mother." The psychoanalysis at the end didn't make me feel superfluous, but felt just right. The best thing about textbook movies is that long shot of cleaning blood. The director patiently showed the transition from a murder scene to a daily life scene, and this cleaning is also going on in Norman's mind. The soundtrack is too good, and the picture is very textured.

Psycho quotes

  • Norman Bates: You're not going back to your room already?

    Marion Crane: I'm very tired - and I have a long drive tomorrow. All the way back to Phoenix.

    Norman Bates: Really?

    Marion Crane: I - stepped into a private trap back there. I'd like to go back and try to pull myself out of it. Before it's too late for me too.

  • Milton Arbogast: Did you come up here on just a hunch? Nothing more?

    Lila Crane: Not even a hunch, just hope.