On this boring rainy night, I reviewed the American thriller "The Soul" with a critical eye (Critical Thinking). After watching it, I couldn’t help but fall into long thoughts... Through this poisonous plant of American imperialist culture, I deeply Feeling Wen Ziren's good intentions, although he is in a foreign country, wearing a dress, coffee cheese, bacon sausage, but no matter what, he can't change his Chinese heart! Director Wen used this film to mock the American capitalist system and enthusiastically praised Red China, which is and will be in the primary stage of socialism for a long time. Wen Dao deserves to be an outstanding representative of my Chinese descent. I am proud. At the same time, Wen Tao tried to demonstrate that these quite realistic and philosophical artistic propositions have extremely far-reaching impact on the Chinese dream of accelerating the realization of the great rejuvenation of the Chinese nation in our country, and then used the powerful ideological weapon of proletarian materialism as an example. To guide and smash all the shackles and shackles that the bourgeoisie could, will not, and will never impose on the Chinese people. What I have to say is that Director Wen put the "Call of Souls" story scene in a big outrageous second-hand house, which is very clever. First of all, in our country, the scenario of male protagonists going to rent a house will not happen at all, because our country has a more mature real estate market than Western countries. If a man does not have a new house to marry his wife, he will basically be desolate. A nightmare for a single dog. A daughter-in-law and five cute babies? hehe. In terms of retreat, Ande Guangsha, even if the broad masses of the people in our country rent houses, they are often small as snail dwellings, they can only accommodate themselves, and ghosts can't get in. This fundamentally prevented the occurrence of vicious incidents such as the haunting of big houses, and laid a solid mass foundation for the construction of a harmonious society. I think that Wenming a foreigner definitely supports the eight honors and eight shames, and opposes the extreme desire for extravagance. Secondly, we can also find that "Calling the Soul" has fully exposed the lack of theoretical knowledge, let alone the craftsmanship, of the relevant practitioners in the exorcist industry in Western countries. The female exorcist would be frightened by the ghosts so that her heart throbbed and screamed, and she was manipulated by all kinds of ghosts. This unscientific. Let’s take a look at my country’s north-south gods, Dongxi Banxian, the cinnabar dog-blood peach and wood sword, killing all monsters, ghosts, and snakes every minute. Looking at the male exorcist driving the ducks to the shelves, he tremblingly put on a pose (pretend) posture (adjustment), a roar of a fierce ghost, the male protagonist instantly shook his spirit, and the holy water also knew him. Let it go when it's time to let it go, Very Very Low! In our country, there are no ghosts, only people. Outrageous. There is no doubt that Wen Dao is willing to be a green leaf here, which contrasts the fearless revolutionary spirit of our country's ghost hunters who dare to sprinkle dog blood to eliminate the plague. Throughout the film, the greatest practical significance of "Calling the Soul" is probably that it reflects the absurdity of the serious official-standard social and political system of capitalist countries through exorcism incidents. The upper-class society represented by the Holy See strictly restricted folk exorcism. The red tape of layers of examination and approval would inevitably lead to the low efficiency of the exorcism industry. The American people couldn't bear it and fought their backs, and finally narrowly defeated Satan's envoys in the name of love. With Wen's "Chain Saw Horror", I have to surrender sincerely to my socialist ghost film business. What a subtle irony! In the 1960s, my country banned the performance of ghost shows. Our people do not believe in evil. Man will conquer the sky. Of course it can also punish ghosts and kill gods. When I look back at "Calling the Soul", I feel that Dao Wen knows the essence of my Chinese culture. This film not only teases the exorcist with low combat effectiveness, but also unveils the veins of bourgeois love and courage.
(Essay)
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