The film "A Clockwork Orange" is adapted from the novel of the same name. As the title suggests, the protagonist is a clockworked person. As a representative of apostasy, Alis and his companions were unbelievable when they appeared on the stage, a wicked smirk wrapped in a wicked white dress, which dampened the wicked and perverse atmosphere of the film. In the bizarre scenes, some people sang "Ode to Joy" loudly, while others were brewing evil. From milk bars, abandoned casinos, record shops to personal residences, whether it is architectural decoration, sculpture decoration or audio and video settings, all are permeated with a strong sense of modernity and surreal style. This also happens to reflect the fifth and last century. In the American society of the 1960s, out of the fear of the machine society and the desire for pure desire, the Beat generation and hippies took turns in the spiritual realm to stage uproar and commotion. The wave of exaggeration was presented in images full of evil and fun, maybe From the director's point of view, distorting the alienated reality can make people feel less unbearable. Alis's beating of homeless people insinuates the social reality of a vain name, "This is a stinking world, because there is no more law and order." The four accomplices confronted Billy Tsai in the casino, and the fights by the lake accompanied by Alis’s confession were all processed in slow motion with a sense of musical drama. The sonata-style opera "The Magpie" set off the absurdity of violence. Sex, onlookers or participation, all depend on what you want.
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