Why is the bathroom scene so important to Kubrick?

Parker 2022-03-22 09:01:02

The eye-opening opening scene determines the entire movie. Alice was sitting on the toilet. Bill looked at himself in the mirror. His wife asked him, Do I look beautiful? How does my hair look? He answered without looking back. "Very good." Alice said, "You didn't even look at me." This scene in the opening bathroom reflects the truth about their relationship...Bill ignored his wife. Alice and Bill go to Victor Ziegler's Christmas party, and Ziegler asks the doctor Bill to go over because of an emergency. We saw an unconscious naked woman sitting on a red chair, while Ziegler was pulling the zipper of her pants. Bill checked the woman, tried to wake her up, and warned her of the potential dangers of drug use. We noticed that Ziegler didn't care about this woman's situation at all, he just wanted to end all this as soon as possible so that he could return to the party. Before that, he realized that he needed to make compromises and made sure that Bill would not speak out. "Only the two of us know about this." Ziegler said to Bill, and Bill responded indifferently "of course." Without asking any questions, he walked out of the bathroom. The bathroom scene released Bill's longing, he longed to enter a circle out of his reach. This is because Bill, like many men in Kubrick’s works, doesn’t care how the upper-class social circle works and the real cost of entering the upper-class social circle. Moreover, he also forgot his own deepest motives. His indifferent behavior hid his urgent desires, and he was willing to hurt all the close people around him in an attempt to climb another social ladder.

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Extended Reading
  • Alice 2022-03-25 09:01:02

    A work criticizing the "new behaviorism" popular in American psychology in the 40s and 60s of the last century, Kubrick used the fictional Ludovico technology as a symbol of new behaviorism, emphasizing that it will become the most dangerous weapon in a totalitarian country. The government controls the people through scientific and technological means, turning people into a "clockwork orange" of organic outside, mechanical inside. PS: Read BF Skinner's "Beyond Freedom and Dignity" with this film.

  • Dahlia 2021-10-20 18:59:33

    Kubrick’s narrative introspection and deconstruction of the relationship between violence and composition between society and people [extremely offensive language and expansive sex and violence] seems to be much less fresh and impactful today. Individuals are convicted of being ill due to violence against society, and they are cured in the process of violence against individuals by society, and the cycle goes back and forth. The language of the scene and the scheduling of the scenes are really Kubrick's greatest contribution to the film, and he is very coquettish in playing.

A Clockwork Orange quotes

  • Frank Alexander: [hears knocking on the door] Who on Earth could that be?

    Julian: I'll see who it is.

    [goes to the front door]

    Julian: Yes, what is it?

    Alex: [barely audible] Help... please... help... help.

    Julian: [opens the door and Alex collapses at the doorway. He carries Alex into the house] Frank, I think this young man needs some help.

    Frank Alexander: [surprised by Alex's poor condition] My God! What happened to you, my boy?

    Alex: [voice-over] And would you believe it, o my brothers and only friends. There was your faithful narrator being held helpless, like a babe in arms, and suddenly realizing where he was and why home on the gate had looked so familiar, but I knew I was safe. For in those care-free days, I and my so-called droogies wore our maskies, which were like real horror-show disguises.

    Alex: [nervous] Police... ghastly horrible police... they beat me up, sir.

    [sees Frank has a foul look on his face, apparently not believing him]

    Alex: The police beat me up, sir.

    Frank Alexander: [excited] I know you!

    [pauses]

    Frank Alexander: Isn't it your picture in the newspapers? Didn't I see you on the video this morning? Are you not the poor victim of this horrible new technique?

    Alex: [relieved] Yes, sir! That's exactly who I am and what I am, sir. A victim, sir!

    Frank Alexander: Then, by God, you've been sent here by providence! Tortured in prison, then thrown out to be tortured by the police. My heart goes out to you, poor, poor boy. Oh, you are not the first to come here in distress. The police are fond of bringing their victims to the outskirts of this village. But it is providential that you, who are also another kind of victim should come here.

    Frank Alexander: [finally remembering Alex's state] Oh, but you're cold and shivering. Julian, draw a bath for this young man.

    Julian: Certainly, Frank.

    Alex: [as he is being carried off by Julian] Thank you very much, sir. God bless you, sir.

  • Alex: Hey dad, there's a strange fella sittin' on the sofa munchy-wunching lomticks of toast.

    Dad: That's Joe. He lives here now. The lodger, that's what he is. He rents your room.