Just like the encounters in many stories, the unexpected family changes made the young heroine Ma Tingda meet a professional killer. The tight red line of fate is tied up, and a period of escape from death and displacement begins. In the film, Ma Tingda questioned Lyon’s various questions about love and life. Luc Besson’s consistent style, retro-looking colors at dusk, and French romantic sentiments. The protagonist is a man and a woman. How can this not be love? In my opinion, this is a beautiful first love in Ma Tingda's life growth and a ray of sunshine in Lyon's assassin's career. Most of the wonderful lines in the film are anti-chicken soup quotations. The cruelty of life makes the little girl grow up quickly. Natalie Portman’s mature acting skills also make people think that this is a little girl’s body, with a mature and old soul. . Sometimes her eyes always reveal more inner things. The interaction between the two is the beginning of the tragedy. At the end of the tragedy, the only thing that feels comforting is that Leon said that he is his own pot of plant, without roots, without belonging, but he gave Ma Tingda asylum, and finally let his old friends in as he wished. If Leon is not dead, he will probably wash his hands. At the beginning, I saw the recommendation of this film, it was a cool killer uncle, I felt it was wrong, after watching it, it turned out that a killer is not enough to become a classic, a killer who is not too cold, and a relationship that seems like friendship and love. It's a classic.
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