There is a person who doesn’t know how to get into the Royal Air Force, that’s so much owed by so many to so few RAF that blocked the Germans on the other side by their own efforts (Of course, the greater credit is the Royal Navy, but they were Mainly responsible for frightening people, not really getting started), he and his teammates don’t like skydiving, he can’t aim, thinks that the front sight is stuck on the enemy’s fuselage to open fire, see who flies in formation, and flies with his own. Tight aerobatic formations, flying in tandem with the enemy, but 50m, full of brains do not want to tactics, do not want to move, do not calculate the lead, consider all fuel problems, one brain is not enough, teammates must keep reporting fuel, creating tension. In theory, he wanted to save the guy in 1 and saved the lives of the captain of another Royal Navy ambulance ship similar to 2 and other soldiers, but it seems that 1 and 2 are really far-fetched. At the same time, he finally flew around on the beach to accept the cheers from the people below. They were only comparable to the poor two luftwaffe on D-day, and were finally captured; Story analysis: "Separation of time scales" may be a physics concept, but it is basic It can be understood literally, the movie deliberately piled up the so-called a week for a mole, a day on the sea, an hour in the air. It sounds like very powerful, but in fact... probably you don’t care at all: 1. The whole The Dunkirk retreat lasted for a long time. People on the shore may be trapped for about a week, but the protagonist No. 1 got on the boat and jumped into the water. It doesn’t matter how many days you said. The little fresh meat actor only needs to look horrified when he is on the shore: “Don’t come and blow the German, don’t blow it up, it’s over when I blow it up”-the enemy is a man-made disaster, while on the ship: “Don’t come, the German Don’t blow it up. Even though I can’t blow it up, it’s over when I’m stuck in the ship.”-At this time, the enemy is sea water. It seems that it can be counted as a natural disaster. The heroic quotations make a contrast, and everyone can comment that ordinary people who survived are the biggest hero blablabla 2. It will naturally take a long time to sail across the sea from Dorset instead of Dover, but it’s already very protracted to drive one day to catch two people and fight one to death. The various contradictions in the middle are just "If you have a hand, do you want to stop and go home?" Ah", your small boat, luftwaffe, doesn’t bother to blow you up, and there really isn’t any dramatic conflict left. It’s better to watch him crossing the sea than to watch the topgear three fools crossing the strait. Why is it just a day’s time scale? Can’t it be 3 hours? Can’t I just get off at Dover? The director and screenwriter may disagree, and ruin the idea that looks good, and it must be a day. 3. This is the most ridiculous Part of it is that even if you are malfunctioning or broken and leaking oil is justified, you have to emphasize that there is no use of oil over the battlefield-are you the bf-109 sent by luftwaffe to escort the bombing of London? All time scales are forced into a non-existent "one-hour dead time". The audience will resist as long as your story is told. This way, this one hour will make people scratch the heart. You see that he can't even fly a plane, and he doesn't even circle at a large angle. It's better than the explosion of Pearl Harbor. The plane does not need to be opened, and the enemy is not easy to fight. ——From the beginning of World War II movies, as long as it is an American movie, it has not been clear whether the bf-109 is a wing cannon/wing cannon pod or a shaft cannon. You said it is a bf-109 emil with a potato launcher on the wing. mgff, what's the matter if he tickles you when he hits you? You said that you were an early Spitfire. The wing was full of .303 ammunition, and the oil was almost gone. When you fought, you pretended to be hispano, and you kept the ammunition in the wing to go home for the New Year? They just swayed around so cautiously, embarrassed to fly out of their sights, and they also played casually-109 bz? nonexistent. deflection shot? nonexistent. Attack from the direction of the sun or escape from the sun? It's enough for the leader to recite a confession. When it comes to filming-it doesn't exist. Aiming at the engine? There was a moment when he attacked the he111 at the end, but it didn’t fire, and even if it hit it, it would still emit white smoke-it hit the radiator or leaked the fuel tank, it will always be like this-disintegrate? nonexistent. Climb inverted fly parachuting? nonexistent. The propeller blade was bent during an emergency landing on the sea? nonexistent. So what have you been doing with so many aerial combat shots? Can supplement IL2 brain: The youtube collections in Cliffs of Dover, such as JG4 Karaya or something-watching a one-hour game live broadcast can sometimes be accepted, but it doesn’t mean that your reduced air bridge can also be used for an hour. Sound effects: If This time scale of imposing “one hour a day a week” is unacceptable, and there is no story. If the part where the small soldiers board the ship is a “show”, the remaining captain is just playing air defense alarms with a grim expression. The RAF part is completely It's a bluff (two 109s close to escort a he111 to bomb a minesweeper at a low altitude? These crews might as well buy a lottery ticket-109 pilots are responsible for paying IQ taxes, 111 crews are responsible for hitting the Universiade). "Tai Ping Wheel" may be even worse-then there is no story time and you are not satisfied, so you have to shoot the MV? Please come with a big-name soundtrack and write a bunch of booming music. By the way, I will record the sound of the director’s own clocks, and all of them are stuffed into the movie: So except for the opening of the flyer, it’s a little quieter, and the head is bombarded one after another. After half an hour, the protagonist of the soldier finally got on the train, and the companion fell asleep. When the sound effect was cut, tears filled my eyes as if I had received an amnesty. After 5 seconds, the sound engineer started endlessly again. At the beginning of the film, Stuka swooped down. If the bombing can still be breathtaking and worthy of a star’s evaluation, the stuka recording in the second half of the movie, which is obviously no longer stereoscopic, is completely cutting corners. When the last stuka doesn’t know why, it will be lost. After gliding "soundlessly" for an hour without hitting a few times the enemy's fire-breathing was wiped out, and even this recording of howling was pulled down. When it was replaced by the huge noise made by the sound designer himself, the audience was already Speaking of the German audience is not particularly buying it, I have to mention the different people depicted in the movie: The French are either a cannon fodder or a deserter on a boat; and the Germans...
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