To be honest, I really didn't see so many problems. On the contrary, I think this is Nolan's least hypocritical work. Those who feel that it is not hot enough are disappointed. This one has not allowed you to show off your omniscient IQ, right? When Tang Lao wet the propeller stopped and glide in the air, my goose bumps all over my body turned on. The moment I landed, I clenched my fist and shed tears that I had endured for a long time... Don’t underestimate this character who barely shows his face and doesn’t speak. , You can definitely film Shiliuhui. Never counted as a soup noodle, just thought he was very attractive, but this movie really thinks that he is as handsome as the sun and the moon.
It is neither epic nor shocking or even touching, but it is as deep as war in your heart. Perhaps this is the nature of war. Perhaps Nolan's bleak feeling throughout the audience in terms of the picture, the narrative or the tone-deliberately presented to the audience-is really the most real feeling in the hearts of people who have experienced war. Bleak, or bleaky, is the best word I can find. It contains many meanings... Translated into Chinese, it seems to be out of the tune of Nolan's movie.
Sometimes the presentation of war really doesn’t need to be so epic. After all, everyone who actually participated in the war just wants to survive and see his hometown again like a male protagonist, and is silently exhausted to protect the people of the motherland like an old soup. More wounds that will last a lifetime like Murphy. It does not create heroes and sensationalism, but starts from the mood of each war participant, and presents everything in their abstract mood with substantive pictures. Maybe Nolan really didn't mean anything else this time, just purely wanting us-like watching a scene of the dead on the side of a mountain-quietly and carefully feeling the nature and difficulties of a war. After Nolan's back-to-basics work, after the grandstanding fancy, how do I think this is the most essential him?
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