For me, wwz is an enhanced version of the super battleship-nothing but cool, but it's really cool! The difference is that after watching the trailer, I thought it was also a special-effect-type sensory film. After watching it, I found that it was pitted. All the special-effects shots were basically those in the trailer, not even the shots in the poster. The reason why I watched is so cool is that the rhythm of the film is really great, from beginning to end, it is relaxed and relaxed. Between each small orgasm, you can breathe for a few minutes and immediately mobilize your emotions. Zombies are attracted by sound. This setting is very well used by Mark Fox. It always makes you involuntarily hold your breath with Pete. Whenever various doomed oolong events cause noise, the zombies chase wildly, Pete sprints, and the audience Heart beating wildly. Although it is not a special effect type, IMAX is also a very important factor. This movie can basically be ignored in 3D, there are too few big scenes, street fighting is the main thing, if there is IMAX The 2D version is best. If you watch it on TV or computer at home, I'm afraid it's barely Samsung's level. There are so few small humours in the film that cause the audience to laugh, which is a good way to adjust the mood. And always drag you back into the tense atmosphere just after laughing, there is no time to distract. The first is the so-called high-achieving student of Harvard, the survivor's best hope of finding the virus nemesis-the curtain call of Dr. Little Kid. Everyone will have a hunch when he talks about him on the plane. I'm afraid this guy will not end well. But no one would have thought that the first zombie that appeared in the first minute of getting off the plane would scare him to the ground and shoot him off his head. The audience laughed unkindly together, because Pete had just told him, relax and take your finger from the trigger. In the second place, the three people climbed past the door guarded by the zombies while fetching the virus in the WHO building. It's hard to tell, but the brothers who have played the Allied Death Squad will definitely feel particularly touched. In the third place, Pete entered the virus storage room and was blocked by zombies. If you read it right, the second place is the same zombie who deliberately followed the comedian route. The director kept giving close-ups, which seemed scary at first glance, and the more I looked at it, the more joyful it became. When it finally couldn't help but began to kowtow, the audience immediately burst into laughter. In fact, when the CIA lunatic in the prison said that North Korea’s socialism is good, and the teeth of 24 million people were pulled out and the virus could not be spread, I smiled lonely, so embarrassed. In this film, Mark Foster deliberately did not go deep, and deliberately touched on several points related to human nature, whether good or bad, such as those in the supermarket who helped Pete's family, some attempted to rob Pete's wife during the mess, and some rushed in to grab things. The policemen gave equal treatment for a few seconds. The apocalypse is just a background for him, a few strokes are enough, and he has no intention of taking pictures of the apocalypse. The fucking officials of the United Nations thought that Pete was dead and drove his wife and daughters from the safe ship to the refugee camp and did not try to unfold. After Pete heard about it, the mood fluctuated a few times, and there was no protest. In the end, it was not like it was in the past. Bruce Willie and his like punched everyone and happily went to pick up the family and finish the work. I think this is very good, the theme is clear, since it is a zombie parkour movie, then concentrate on running. However, Foster still brutally blacked out two types of people. One was his wife who knew his husband was doing big things and made a phone call, and killed the commander of the South Korean base; the other was Muslims, who sang hymns on loudspeakers. Attracting zombies to climb the wall and kill the entire Jerusalem-it is almost suspected that they are alluding to suicide attacks wherever they go. There are a lot of bugs in the film, but it’s not too serious and I won’t go into details. They are basically common problems in American blockbuster movies. Just ran to Jerusalem and so on. The most off-line is that you can survive by throwing a grenade in your plane. Finally, despise the subtitles of Hong Kong. I used to think that the mainland subtitles turned badly, but now I find that Hong Kong's subtitles are even worse. The vernacular subtitles can’t be evaluated, this film is a small amount of vernacular + Mandarin, listening and translating, it is horrible, it can no longer be considered by the error rate, and the correct rate must be used...
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